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The Dublin Smartphone Film Festival returns at the end of this month, a celebration of the possibilities for anyone to pick up their phone and start creating great films. Now in its fourth year, this international festival remains dedicated to celebrating works shot on Smartphone and Tablets, encouraging new filmmakers and providing a platform to exhibit stories through a different lens to a wider audience.

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The Dublin Smartphone Film Festival is an international festival dedicated to celebrating works shot using Smartphones and Tablets.  Returning for a third year, the festival will open up filmmaking to a wider circle of creatives this January, offering “limitless possibilities in the palm of your hand”.

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As if the attractions at the GAZE LGBT Film Festival this or any year could be limited to a mere five standouts! Still, as one of the standout annual events in the fair city of film, both as a consistently excellent programme of cinema and as one the country’s biggest LGBT gatherings outside of Dublin Pride, GAZE generates considerable excitement every summer and it’s worth looking at why. The mood of film fans is buzzing nicely ahead of GAZE 2019’s Opening Gala taking place tonight, a sold-out screening at the Light House Cinema of the documentary Deep In Vogue. You can get an overview of this year’s programme here, but with so much to choose from in the five days of film ahead, we look at five reasons why you must get yourselves into the screens for GAZE 2019.

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Film Submissions are now open for the third Dublin Smartphone Film Festival. The festival will be returning for 2020 after two widely successful sold out events. As Irelands only Smartphone Film Festival, the DUBSMARTFF aims to inspire budding directors as well as celebrate National and International filmmakers using Smartphones exclusively to tell their stories.

Dublin Smartphone Film Festival, organised by Film In Dublin alum Robert Fitzhugh, is accepting submissions now for their next festival from both local and International Filmmakers. They are expanding the scope of the event to include and Under 16 Category, looking for younger budding Filmmakers to submit their films either as individuals or in groups. Other Categories include best Fiction, Music video, Documentary, Animation, and 360/VR film. The festival advises that all entries should be no longer than 15 minutes in length. In 2019, the festival received over 100 submissions from over 24 countries and regions, ultimately screening the best 26 of the submissions at the event with the moving The Missing Things (Australia) directed by Jason Van Genderen winning the Grand prize.

After the success of the first two years, the Dubsmartff team are expecting an even larger number of submissions for year three. The festival programmers are on the lookout for captivating stories that take full advantage of the technology.

The Dublin Smartphone Film Festival is set to take place in January 2020 with the venue being announced in
the coming weeks.

The festival is open for submissions for 2020. Submission fees apply.

Entries can be sent to festival organizers via the Film Freeway portal found below.

Visit the Dublin Smartphone Film Festival online at  or
on social @dubsmarff

A very successful addition to the Dublin film festival calendar last year, the Dublin Smartphone Film Festival will be making a return later this month. Created by former Film In Dublin contributor a Robert Fitzhugh, showcases mobile storytellers. The festival’s mission is to encourage the next generation of filmmakers to share their stories and to provide them with a platform to present these stories to a wider audience and last year also featured several Film In Dublin writer’s among its judging panel. The programme for the festival is available now, and will include a wide selection of phone-made films from Ireland and abroad.

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Young filmmakers Matthew Roche and Elliot Milofsky are putting out interesting short films at a fast pace, through their production company Extra Extra. Their latest short, Philomela is the story of a woman who experiences a break-in to her home and is forced to keep the intruder. Though Mela attempts to persuade the guards, her parents and others of the injustice, her words go unheard and the psychological toll on her hits hard. Blunt and stark, it nevertheless makes its point very clearly. It isn’t difficult to figure out the political subtext of Roche and Milofsky’s film, this week in particular. Film In Dublin spoke with Matthew Roche about the thinking behind the short.

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This January, the first Dublin Smartphone Film Festival took place at the Generator Hostel in Smithfield, a weekend showcasing the possibilities of smartphone filmmaking. With experienced hands like Steven Soderbergh experimenting with the format, its prominence is only growing, but a new generation of directors are taking up their phones and the opportunities accessible tech is affording them to create films of their own. Two such emerging talents are Matthew Roche and Elliot Milofsky, independent Irish film-makers currently studying Philosophy in Dublin. As part of ‘Extra Extra’, the pair just finished their latest short film Lady Luck, a submission for the Moment Invitational Film Festival. Their last short film Far won “Best Irish Film” at the Dublin Smartphone Film Festival and even since then the pair have been directing more shorts, all completed only with a smartphone. Film In Dublin spoke with the pair about their efforts in filmmaking and in getting others to realise the potential of the phones in their pockets.

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