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If like me, you spend too much of your time mindlessly scrolling through Twitter, you may have seen videos of kids who improbably love Michael Myers, the iconic indestructible mass murderer from the Halloween series. It’s October, which means these videos are more likely to find their way to your timeline, but it does seem striking that so many pre-teen kids are so into the hulking, homicidal Shape. They dance with Michael Myers, they wear his mask, they hug him, they freak out with joy when he comes to their birthday party. But Michael Myers is terrifying, right? Why would small children imprint so cutely onto someone that is, in the words of leading health professional Doctor Loomis, “simply evil”?


The latest film in the franchise Halloween Kills is in cinemas now, and while we could give you a review, an editorial decision has been made that it is more important to mitigate your confusion if you find yourself sharing a cinema row with a group of tiny Myers stans. What are they doing there, you’ll wonder. Don’t they know this film is rated 18s? Where are the parents? Michael Myers is terrorising Jamie Lee Curtis again on screen right now…so why are they flossing??

It sounds like a bone-chilling prospect. But to mitigate any fears that you might have about being swarmed by a murderous pack of killer-worshippers, your final, blood-choked screams being turned into cute viral content, read this and be put at ease. It’s all very innocent really. Here are the five reasons why kids love Michael Myers.
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artwork by Amy Lauren McGrath

It has, somehow, been a year. And while this year hasn’t allowed us to seek refuge in front of the big screen as often as we might like, and though many of the most anticipated releases of the last twelve months have been deferred to 202-dot-dot-dot-question-mark, we still have been able to enjoy some truly exceptional films at a time when we really needed them. Using Irish release dates, the Film In Dublin team have come together to pick out ten of the best of 2020. Films that helped us to escape. Films that served as a funnel to feel through *all this*. Films with pet hyenas in them. So a broad spectrum as always.

What films made your own personal Best of 2020 list? As ever, we’d love to hear from you. Leave us a comment below or hit us up on Twitter and Instagram and let us know what movies moved you over the last year, and let us know what you make of the list below.

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A Halloween spent in lockdown is the perfect time to feast upon the quintessential horror classics that we all love to fear. Whether it’s the head spinning experience of re-watching The Exorcist or binge watching the good, the bad, and the very ugliest of the Nightmare on Elm Street franchise, we all know how to tell a safe bet from a dodgy Netflix choice just as well as we can tell a good piece of chocolate from an unwanted apple in a trick or treat bag.


But what about the films that have slipped through the cracks? There are many reasons why certain horror films haven’t received the attention they deserve. A lack of advertising, coming out at the wrong time of the year, or maybe because for lots of cinema goers one or two scary films a year is more than enough. For the films on this list however, the reason why you’ve probably never seen them has nothing to do with their quality. These are some of the lesser known but  better placed fright fests to satiate your Halloween sweet tooth on this spooky stay at home weekend. This list is not to be confused with an “underrated horror films” selection. That’s an interesting but separate discussion. The films on this list were generally well received critically, but they unfortunately just never seemed to get the reach that they deserved. So sit back, relax, and prepare to be bombarded with a universe of existential horror you probably haven’t yet heard about.

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Clare Dunne’s Herself , the Closing Gala at this year’s Dublin International Film Festival  received rave reviews today at Sundance, a possible sign that we may already have the next great Irish film this decade with it only 25 days old. Further to that, the film’s festival success shows how Ireland’s international reputation is continuing to grow; programmers, distributors and viewers alike from all over the world are looking out for Irish talents more and more. The last ten years have seen our profile expand considerably, Hollywood stars like Saoirse Ronan and Colin Farrell are more acclaimed than ever, filmmakers are flocking to our island to make use of our beautiful locations and talented crews, it’s not all sweetness and sunshine but it’s been a good decade. It took a bit of mulling over, so strong was the fear of leaving great work out of a list of only ten, but at last here is Film In Dublin’s celebration of some of the best Irish films of the 2010s, classics that we’ll be going back to again and again.

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There was much discussion about the jokes that Ricky Gervais made at the expense of Hollywood superstars at this year’s Golden Globes. However, what stood out for me was what should have won an award for the “golden quote” of the night. It came from the director of the highly anticipated South Korean film Parasite, Bong Joon-ho. He gave the much needed reminder that:


“Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films”.


This really spoke to me- and not just in English. If I could add one addendum to this brilliant insight, it would be that viewing international films also exposes you to different cultural fabrics, different challenges and, different experiences. Aside from that, they’re also very entertaining and remain such an underappreciated cinematic art by large chunks of Western audiences. So in order to help you get over the horrific inconvenience of subtitles, and in light of Bong Joon-ho’s golden quote. Here are 20 international films to watch in 2020.

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It can be hard to evaluate the best films of the 2010s, when every damn year of the decade, especially from 2015 onward, have felt like ten years unto themselves. But movies, as ever, offer respite from that chaos. It’s been a decade that has offered impressive new voices in film and given different voices bigger platforms. Names like Jordan Peele, Ava DuVerney, Ryan Coogler and more have opened up important ideas to wider audiences, while also delivering top class entertainment. Long-term talents, from Scorsese and Soderbergh to Bong Joon-ho,  Todd Haynes and Katheryn Bigelow, have changed with the times and done great work, even when it hasn’t been their defining masterpieces, these greats have produced films that audiences have latched onto and continue to engage with in interesting ways, our often noxious online discourse still providing the opportunity to grow cultural conversation. Still, that noxious shite can make even the most ardent film lover never want to talk about cinema again, and the last ten years have seen too many unwinnable bullshit battles waged by people determined to keep their beloved franchises for themselves only, or draft movies, sometimes at random, into the unending culture wars.

Netflix have changed the game completely for film distribution and audience engagement in ways we still haven’t fully processed since 2010, for better and worse, what even counts as a “film” and how we see them have been altered forever. After a relatively wobbly start to the 21st century that now seems impossible, Disney have become a monster in the 2010s, consuming one of the great film studios in the last year in Fox, reshaping history as they see fit, flooding and fixing the market, threatening all the positives in the paragraphs above. 80% of the box office is simply too much for one studio to hold, and cinema as an art form is at risk if the 2020’s continue to allow expression to be supressed in the name of expansion.

You can see some of what’s at stake in some of the great Irish films that have come out this decade, both on screen and off. Wonderful work has been done with local cinema thanks to collaboration with fellow European studios, and great films that in decades past only Irish eyes would have been watching have warmly received worldwide. Check out our Best Irish Films of the Decade list, coming soon, for some of the best of our country’s cinema. More of that in the times ahead of us please, especially for this website’s sake. There are always challenges, but without the vibrant cinema scene that has continued to grow in this country, Film In Dublin would never have started. With that in mind, it’s a good time to delve into some of our writer’s personal favourites of the decade, our Best Movies of the 2010s.

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It has been a year. In 2017 there was a lot for film fans to contemplate, but in what they say on the screen and in the wider film business. Month after month, entertaining, challenging and interesting films found their way onto Irish screens, either from Hollywood or any number of our own talented Irish directors. It was a year where the sickeningly pervasive culture of abuse in cinema was thrust into the headlines by brave survivors no longer willing to suffer in silence. It was also a year in great filmmaking, where talented, diverse directors were given the opportunity to show their talent, several for the first time, where performances transported us just as believably to the far-off future, the underprivileged, overlooked present and even outside the fluid realm of time altogether. This is Film In Dublin’s list of the best films of 2017, the films that moved us, entertained us, opened our eyes and otherwise expressed everything that cinema is meant to be, in a year that showed that cinema doesn’t always achieve those lofty ideals behind the scenes.

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The urge is understandable to avoid a retrospective of the year 2016. Not since Lot’s wife decided to take a cheeky glance back at Sodom has looking back at something been more likely to produce misery and misfortune the way this year has, but that only makes it all the more important to go back over the few bright spots, particularly for movie lovers. 2016 was undoubtedly a great year for Irish cinema, with 9 Oscar nominations and two wins, Irish films showing prominently in festivals around the globe, major stars and filmmakers coming to film on the island and some eye-catching box office success. Of course, 2016 is a year that will always stand out to the writers at Film In Dublin, as this was the year that the site launched and since mid-July we’ve worked hard to show you the positives and the pitfalls of navigating through the fair city of cinema.

With the year almost over, our writers have compiled a list of some of this year’s cinematic highlights. Balloting every member for their own top picks of the year, a consensus was more or less reached on ten outstanding films, cinema that provided a welcome distraction from the horrors of the last twelve months, helped sharpen our focus from the lessons to be learned from the year, or both. We’re sure to have left out some of your favourites; in keeping the list to the very best of the best we’ve had to omit some of our own best loved choices so we’re more than open to suggestions on what else could have been considered. Here though, are Film In Dublin’s picks for the top 10 films of 2016.Read more…