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Rogue Aurora (She/Her) is a Drag Queen from Dublin who has a love for glamour, alternative fashion and the macabre. Unable to showcase her drag during lockdown, Rogue did what a lot of people did and turned to the internet where she would stream video games in full drag, take part in digital drag shows with other performers from all over the world and eventually start a YouTube channel where she regularly uploads videos of herself doing her makeup while discussing horror movies.

Film In Dublin caught up with Rogue to have a chat about some of her Movie Memories, horror origins, starting a Youtube channel and more.

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Many a movie lover in the fair city of film is dying for the day when cinemas are back open again, but as we all know, a cinema is only as good as its programming. At the Light House Cinema in Smithfield and the Pálas in Galway, that selection is curated by Charlene Lydon, a genuine buff with a storied career and a fine eye for film. 

In the latest Movie Memories, Film In Dublin spoke with Charlene to get more info on her own background, the secrets to a good slate of cinema and her hopes for the future as the chance of a return to Screen 1 becomes an ever so slightly bright light projected on the end of a long, uncertain tunnel.

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In Direct Line, Film In Dublin cuts to the chase, asking quickfire questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

With a storied career in theatre, television and film, writer, director, producer and performer Róisín Kearney is no stranger to those familiar with the Irish film scene. Her latest short film is Paddy, a story of identity soaked in 70s London Punk scene sweat. Funded by Creative Ireland and Clare Co Co, the short premiered last year at the Galway Film Fleadh and is one of the home-grown films currently available as part of this year’s Virgin Media Dublin International Film Festival.

During DIFF, Film In Dublin got onto Róisín for a quick chat about her latest film, how her background in theatre has helped her in film and more.
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Announcements are still coming in for this year’s Dublin International Film Festival. New films, events and interviews are all on the way for the biggest festival in the fair city of film (and beyond for this year’s all-online edition), with one of Ireland’s biggest stars set to speak. The festival have announced that Colin Farrell, Amma Asante and Francis Lee will be among the guests at the 2021 festival this March.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

An award-winning actor, writer, director, and producer, Maureen O’Connell is a recognisable name to anyone with an eye on the Irish film scene. Her short films, wide ranging comedies like Meitherhood or the 1916-themed Proclaim! are regular selections for any solid Irish festival programme. More recently, the director’s comedy feature Spa Weekend has been a hit at festivals home and abroad, screening in British and Irish festivals and last year winning the ‘She Is On Fire’ Award at the Female Filmmakers Festival in Berlin.

Keeping that fire lit, Maureen O’Connell is now organising the first Dublin International Comedy Film Festival. Taking place online from December 3rd and 4th, the festival promises to offer some much-needed winter levity with a selection of short and feature films.

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Writer and trans rights activist Aoife Martin is an ardent film fan. She has written about trans representation on screen for CinÉireann magazine, recorded guest spots on the 250 Podcast and now will serve on the Jury for the 2020 edition of the GAZE LGBTQ+ Film Festival. Alongside writer Chandrika Narayanan-Mohan, performance artist Stephen Quinn and director Katie McNeice will be going through the selection of films on show during the festival, beginning today and running through to the 4th October, to select the GAZE Film Awards; picking out the Spirit of GAZE Award, Best International and Irish Shorts and Best Documentary to celebrate the best and brightest of Irish and international LGBTQ+ stories at GAZE 2020  

 

Ahead of the film festival, Film In Dublin spoke to Aoife about her Movie Memories, early favourites, the importance of telling trans stories on screen and the power of cinema to bring us closer together.  

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

Director Shaun O’ Connor’s work has screened all over the world and won awards at various festivals, from DC to Dublin and Cork, where Shaun himself is based. He’s directed for television, on stage and for several advertising campaigns, but has received particular notice for his short films. His latest, A White Horse, has been a smash success on the Irish festival circuit over the last year, as an official selection at the Galway Film Fleadh, the Belfast Film Festival, the Cork and Waterford Film Festivals and VMDIFF 2020. Having won at the Oscar-qualifying Foyle Film Festival, A White Horse will be on the longlist for the Academy Awards in 2021.

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Screenwriter and director Sarah Ingersoll has got a fair bit of miles in while learning her craft. A graduate of The Glasgow School of Art, Sarah’s has a background in visual art and photography which informs her writing and filmmaking. After directing her first student film in 2016 through the Galway Film Centre, Sarah went on to study screenwriting at The New School in New York. In 2017 her feature script The Keeper was selected as a finalist for Best Inception and Best Overall Script at the Oaxaca Film Festival. Sarah’s short screenplay The Bridge was chosen for the 2018 GFC/RTE Short Film Commission and under the direction of Mark Smyth, the short premiered earlier this month at Galway Film Fleadh. The film tells the story of Cormac who after the sudden death of his parents must choose between returning to his home village in the west of Ireland to care for his estranged younger brother, and a bright future in Canada. She is a recipient of the New Writing Development Loan 2018 from Screen Ireland. Also in July, the iffy Short Film Festival screened Somebody, Somewhere, Who Looks After Critters,  Sarah’s debut documentary short which focuses on the life of Alex Scade runs a one man animal sanctuary from his self-built cabin on the edge of the Beara peninsula in the southwest of Ireland. Film In Dublin spoke with Sarah to talk screenwriting, directing and the Jurassic Park vibes of emus. Read more…

On Saturday 29th June, pianist Máire Carroll will be bringing her piano along to the Light House Cinema for a one night only musical event, “Reimagining the Movies“. An extensive performer worldwide and a winner of  numerous awards including the 2018 RDS Collins Memorial Prize, 2015 Tilestyle Artist Bursary and the 2012 RDS Music Bursary, Carroll will be performing some of her iconic film scores by some of cinema’s most loved composers alongside a number of guests, along with the premiere of her latest composition specially composed for the evening.

Ahead of her performance on Saturday, Film In Dublin spoke with the musician about the power of music on screen, her work and influences and more.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

Hazardous Materials is a short film that looks at anxiety completely visually, without spoken dialogue, in an effort to convey something of the main character’s perspective on the world. Nora has trouble talking to anyone, and is scraping by day to day avoiding contact with people, while Rachel, a well meaning co-worker, wants to bring her out of her shell. When Rachel invites Nora to a house party – how will Nora react? The short has had considerable success at screenings so far, including a UK Premiere for World Mental Health Day and showings at 5 festivals/competitions to date.

Galway-based director Brian O’Brien has directed a number of shorts, but Hazardous Materials marks an impressive step forward for the developing director. Film In Dublin spoke to Brian for the direct line on his work.

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