Wolf Man, Woof

Wolf Man, Woof

Director: Leigh Whannell Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger Running Time: 103 minutes As Ireland’s own Lee Cronin prepares to unravel a new take on The Mummy, it might be understandable for him to use Blumhouse’s other reimaginings of classic monster movies as a point of reference., both for the do’s and…

Primary Cinema presents The Changeling Face of Irish Horror

Primary Cinema presents The Changeling Face of Irish Horror

We’re living in the Golden Age of Irish Horror and we’re dead excited about it. Throughout October we’re celebrating Samhain with interviews, reviews and retrospectives, that show how Ireland has risen to the top of the horror hierarchy. One of Ireland’s premiere video essayists, Gavin of Primary Cinema has been providing excellent insights into filmmaking and film…

Director John Farrelly talks the spirits driving An Taibhse

Director John Farrelly talks the spirits driving An Taibhse

We’re living in the Golden Age of Irish Horror and we’re dead excited about it. Throughout October we’re celebrating Samhain with interviews, reviews and retrospectives, that show how Ireland has risen to the top of the horror hierarchy. You wait forever for a horror film as Gaeilge and then two come along at once. While…

‘Sure, if you didn’t laugh, you’d cry!’: Ireland’s new wave of Horror-Comedy

‘Sure, if you didn’t laugh, you’d cry!’: Ireland’s new wave of Horror-Comedy

We’re living in the Golden Age of Irish Horror and we’re dead excited about it. Throughout October we’re celebrating Samhain with interviews, reviews and retrospectives, that show how Ireland has risen to the top of the horror hierarchy. Genre crossovers have been attempted to varying success throughout film history. Sometimes, a screenwriter or director’s experimentation…

The long and short of Longlegs

The long and short of Longlegs

Director: Osgood Perkins Starring: Maika Monroe, Nicholas Cage, Blair Underwood, Alicia Witt Running Time: 101 minutes The Blair Witch Project played coy about its credentials and rode the intrigue about it being ‘real’ all the way to the box office (leaving the undercompensated actors lost in the woods). Hitchcock insisted on keeping spoilers secure with…