This year’s edition of the GAZE LGBTQ+ Film Festival is a prime example of the quick thinking and compromises that film programmers and festival organisers have had to make in 2020. Usually a fixture of the August Bank Holiday weekend, they waited their time and announced a fantastic programme for 30th September – 4th October. Unfortunately, plans to host live screenings as part of the festival were curtailed by COVID-19 lockdown measures that have been put in place for Dublin, as we’re sure you’re all too aware. The festival, however, soldiers on with aplomb. Aided by the IFI@Home online platform, the programme will proceed, with a great line-up of screenings and events to provide the festival experience. We’ve gone through the full schedule to pick out 5 things at GAZE 2020 you simply cannot miss.
As if the attractions at the GAZE LGBT Film Festival this or any year could be limited to a mere five standouts! Still, as one of the standout annual events in the fair city of film, both as a consistently excellent programme of cinema and as one the country’s biggest LGBT gatherings outside of Dublin Pride, GAZE generates considerable excitement every summer and it’s worth looking at why. The mood of film fans is buzzing nicely ahead of GAZE 2019’s Opening Gala taking place tonight, a sold-out screening at the Light House Cinema of the documentary Deep In Vogue. You can get an overview of this year’s programme here, but with so much to choose from in the five days of film ahead, we look at five reasons why you must get yourselves into the screens for GAZE 2019.
This evening the GAZE Film Festival hosts a sold-out preview screening of Vita & Virginia, but last night saw one of Ireland’s premiere annual festivals launch their 27th programme. Another exceptional line-up of LGBTQ cinema comes to the fair city of film this August. Read more…
One of the highlights of the calendar every year in the fair city of film, the GAZE LGBT Film Festival is shaping up to have one of its most packed programmes yet. There’s loads to see and do during the festival, which takes place this year from the 2nd to the 6th of August, but we’ve picked out a couple of highlights for you to help you plan your own festival schedule. Narrowing it down to six picks was hard enough, considering how many intriguing screenings and events are taking place (we originally had five and just had to add more), but these are some of the most can’t miss moments during a great weekend to come.
The GAZE LGBT Film Festival officially launched the programme for the 26th festival last night at an event hosted by lead sponsor, Accenture. A launch party attended by special guests took place at The Dock – Accenture’s hub at 7 Hanover Quay. The full festival programme, including feature films, shorts and workshops, is available now. One of the highlights of the calendar every year in the fair city of film, GAZE 2018 is shaping up to be one of the most intriguing editions of the festival yet.
It was a happy Pride all round this weekend in the fair city of film, as the first announcements started coming in for GAZE 2018. Ireland’s top LGBT film festival were present in Smithfield at the weekend, giving Pride revellers a sneak peak at their programme for this year. They’ll be back in Smithfield for the August Bank Holiday weekend, and have now made the first of their announcements for screenings and advance ticket sales ahead of the GAZE 2018 official programme launch on July 10th.
The GAZE LGBT Film Festival has been highlighting LGBT cinema since 1992, building a reputation as one of the biggest LGBT events in the country. This August, the festival celebrates its 25th anniversary, with the 2017 edition announced on Thursday night at a launch party hosted by the festival’s lead sponsor Accenture, with special guests including director John Butler on hand to mark the occasion.
Director: Chloé Robichaud Starring: Sophie Desmarais, Jean-Sébastien Courchesne, Geneviève Boivin-Roussy Running Time: 94 minutes
The debut feature film of Quebecois writer-director Chloé Robichaud, Sarah Prefers To Run was screened at Cannes 2013 in the Un Certain Regard category, alongside the likes of The Bling Ring, Fruitvale Station and The Missing Picture. Though she is a gay filmmaker, it goes without saying that Robichaud is not at all obligated to make her film strictly a gay romance. An important part of representation is showing diverse characters in stories that are not solely about what makes them ‘diverse’ and the subjects of this film are not defined by their sexual identity. However the ideal is still to have characters who are complex and engaging for reasons besides their sexuality and the problems of Sarah Prefers To Run mostly come from a reluctance to show anything about its protagonist that can’t be gathered from its title.
Directors: Ester Gould, Reijer Zwaan Featuring: Luis Camacho, Oliver Crumes, Salim Gauwloos, Jose Xtravaganza, Kevin Stea, Carlton Wilborn Running Time: 83 minutes
It is always worth keeping in mind that despite depicting events that happened in reality, documentaries present a narrative like any other kind of film. At the time it was released, Madonna: Truth or Dare was the highest-grossing documentary of all time, depicted a world tour decried as ‘Satanic’ by the Vatican and for a time made icons and inspirations out of the Blond Ambition tour’s charismatic and cut-from-marble dancers. The film actively courted controversy, having the audacity to show young men, partying, kissing each other (“even” wails a news report) and hanging with one of the world’s biggest and most divisive stars. That documentary had one narrative, now there is another. Strike A Pose allows the reality depicted in Truth or Dare a victory lap of sorts before showing another side of the events that played out at that time, as well as showing how the men involved in the film have been affected in the years since.