Follow Me

Close

Director: Céline Sciamma Starring: Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino Running Time: 120 minutes

________________________________________________________________________________

 

“Do all lovers feel like they’re inventing something?”

So whispers the besotted Héloïse in a fit of passion in Portrait of a Lady on Fire. The exploration of that spark, that fierce and intense rush of feeling is central to the latest feature by Céline Sciamma, her own work continuing to evolve and innovate in exhilarating fashion here following the “accidental trilogy of youth” that was Water Lilies, Tomboy and Girlhood. Love as shown here between painter Marianne and her subject Héloïse has that feeling of invention, the sudden arrival of something entirely new and brilliant and unique and though what emerges between these two can’t hope to last in the way that they would prefer, the depth of emotion and ideas brought to light by Sciamma and her excellent crew lifts Portrait into so much more than the typical Forbidden Romance.

Read more…

The 2020 Virgin Media Dublin International Film Festival has finally arrived. The biggest event in the year for film in Dublin (and Film In Dublin) officially gets started this Wednesday evening with the Opening Gala screening of Vivarium, Lorcan Finnegan’s sci-fi thriller. Cinephiles from all over the island and beyond will be zipping back and forth in the fair city of film over the next twelve days, checking out screenings and events in a packed programme.

Read more…

Founded in 2009 by Hannah Neurotica, Women In Horror Month is an international grassroots initiative that assists female genre artists in gaining opportunities, exposure, and education through various events, printed material, articles, interviews, and online support. The vision is a world wherein all individuals are equally given the opportunity to create, share, and exploit their concept of life, pain, and freedom of expression. Every February, WiHM supporters host events (blood drives, film screenings, art shows), write blogs and articles, conduct interviews, and create videos and podcasts for mass consumption, and over the last number of years has been a regular part of the calendar here in the fair city of film. Womxn in Horror Month Ireland are hosting a number of events this month.

Read more…

Director: Bong Joon-ho Starring: Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Lee Jung-eun, Chang Hyae-jin Running Time: 132 minutes

________________________________________________________________________________

The long anticipated Parasite from acclaimed director Bong Joon-ho has arrived on Irish big screens right at the end of what has turned out to be an incredible run of Oscar contenders. While in many ways the Academy Awards could well be regarded as an over inflated industry award, it is difficult not to get caught up in all of the fuss surrounding what is unquestionably the most notable event of the year in film. Similarly, while it might make more sense to maintain objectivity when reviewing films, it’s often challenging to suspend your own excitement for films that you’ve been personally routing for. On it’s own merit, I had been eagerly anticipating the release of Parasite for months. As someone who was first introduced to the now well-established perceptive craft of Bong Joon-ho since The Host in 2006, I was even more delighted that his latest work seemed to be getting the level of international traction that many South Korean films in the last year have undeservedly lacked. Casting memory back through the last couple of years, there seems to have been at least one highly impressive hit coming out of the country every year. In 2016 there was Train to Busan, a frantic and kinetic zombie movie tracking the desperation of a father and daughter to escape a lethal viral outbreak. In 2017 there was Park Chan-wook’s The Handmaiden, a stylish period thriller that picked up the BAFTA for Best Film Not In The English Language. Then there was Lee Chang-dong’s Burning in 2018, a slow burning psychological mystery. All of these features could more than match the weight of any Oscar winning Hollywood films in recent years, but many were regrettably limited to selected art house screenings.

Read more…

Been working through our picks of international films you should watch and looking to add even more to your list? You’re just in time for the Subtitle Spotlight European Film Festival, taking place at the Pavilion Theatre, Dun Laoghaire this weekend, Jan 31st – Feb 2nd. A selection of European subtitled films will invite viewers to see cinema in a whole new way.

Read more…

The full programme for the Virgin Media Dublin International Film Festival 2020 was launched at the Light House Cinema in Smithfield this afternoon. VMDIFF Director Gráinne Humphreys announced details of this year’s programme, a 12 day extravaganza of cinema and an opportunity to see the very best of world cinema and film talent in Dublin.

Read more…

Director: Barry Jenkins Starring: KiKi Layne, Stephan James, Regina King Running Time: 117 minutes


“I hope that nobody has ever had to look at anybody they love through glass.”

The words of James Baldwin, from a character that sadly knows that plenty have had to look at someone they love through glass, or through some restriction or another, few, if any, deserving to have their full hearts clutched by oppressive fists. As a writer who felt even harder than he thought and had too many of his own restrictions, it’s hard to blame the writer for his frustrations that ignored that pathos. Writing about the cinema of his time that aimed to show the black experience, socially active author Baldwin only ever found it inadequate. Their feel-good narratives rang false, tripping gracelessly over themselves to reassure and reframe for guiltily ignorant, or ignorantly guilty, white audiences. We can’t speak for Baldwin, but in adapting his novel If Beale Street Could Talk, Barry Jenkins has clearly and skillfully endeavoured to present a lived experience that is genuine, lives that feel real, and a lush love story that is all the more enriched by that effort to be genuine.

Read more…

Different sponsor, same great programming – DIFF, now the Virgin Media Dublin International Film Festival, is back. The programme for the Dublin International Film Festival 2019 was launched in the fair city of film yesterday afternoon and tickets are flying off the shelf for a trove of fantastic films now.

Read more…

Prestige comes to Dublin this February as one of the most acclaimed directors of screen and stage in recent times visits the Irish Film Institute for a Q&A session to follow his new film. Kenneth Branagh will be in attendance at the Institute to discuss his latest directing/acting performance as William Shakespeare in the Ben Elton-scripted All Is True.

Read more…