Follow Me

Close

With new releases thin on the ground once again, during November Film In Dublin are revisiting some notable releases during 2020 that we haven’t yet had the chance to review. In this Review Round-Up, we’re looking at a pair of films available now on Netflix that are essential viewing. Expect more recommendations in the next few weeks of films from this year that are worth accelerating up to the top of your catch-up list.

 

Read more…

The Kerry International Film Festival are one of an increasing number offering their festival all-online in 2020. With an intriguing programme of features, shorts and panels launched today, they’re offering pre-booking from the 9th, to access a selection of films later this month.

 

Read more…

The IFI Documentary Festival is a staple of the programming of the Irish Film Institute, key to their remit to exhibit, preserve and educate. The full programme for the 2020 festival is now here as the IFI blends a mix of live screenings and programming on IFI@Home to deliver this year’s selection of interesting, engaging and informative documentaries.
Read more…

Getting to take part in an actual, factual film festival this month in the Galway Film Fleadh was a revitalising tonic in a difficult time. We can’t wait to attend cinemas again in person in the fair city of film and beyond, once it’s safe and secure for all staff and audiences to do so, but it was great to have a festival on demand to take in films from home and abroad and we’ve put together a little round up of some of the films we took in during the Fleadh.

Read more…

Directors: Maeve O’Boyle, Lucy Kennedy and Aideen Kane Running Time: 95 minutes
________________________________________________________________________________

The Galway Film Fleadh opened last night with the world premiere of Irish documentary The 8th. With subject matter so closely tied to the recent national psyche of the country, going as it does through the campaign to repeal the 8th Amendment which constitutionally banned abortion in the Republic, it can be difficult to assess Maeve O’Boyle, Lucy Kennedy and Aideen Kane’s documentary on it’s own merits. Functioning similarly Linda Cullen and Vanessa Gildea’s Marriage Referendum doc The 34th, the film plays out as a matter of historical record, but the filmmakers do allow the heavy emotions of the time their rightful place, elevating The 8th beyond the newsreel footage.

Read more…

Located just on the South Circular Road, The Circular is a bar and grill that offers craft beer, pizza and now a bit of cinema too, via their Rialto Cinema Club. Every week they’ll be showing a variety of films, with some intriguing deep cuts on the menu for the weeks ahead. It’s sure to make for an entertaining addition to screenings taking place throughout the fair city of film.

Read more…

The Silk Road International Film Festival is returning to Dublin. One of the first festivals on the calendar in the capital, the festival will be hosting its eighth edition between the 21st & 25th January 2020, screening a variety of international cinema and providing a showcase of features, documentaries, shorts, music videos & student films. The festival this year is being held in January in order to coincide with the celebrations of the Chinese New Year, and will provide the opportunity to begin another exciting year in the fair city of film for those who appreciate celebrating a diverse range of cinema.

Read more…

The full programme for the 17th edition of the Irish Film Institute’s  Documentary Festival has been announced. With fifteen features, including 10 Irish premieres, and the always insightful and keenly awaited Irish shorts programme, the IFI Documentary Festival 2019 looks set to continue a great year of  Irish and international documentary being showcased in the fair city of film.

Read more…

Screenwriter and director Sarah Ingersoll has got a fair bit of miles in while learning her craft. A graduate of The Glasgow School of Art, Sarah’s has a background in visual art and photography which informs her writing and filmmaking. After directing her first student film in 2016 through the Galway Film Centre, Sarah went on to study screenwriting at The New School in New York. In 2017 her feature script The Keeper was selected as a finalist for Best Inception and Best Overall Script at the Oaxaca Film Festival. Sarah’s short screenplay The Bridge was chosen for the 2018 GFC/RTE Short Film Commission and under the direction of Mark Smyth, the short premiered earlier this month at Galway Film Fleadh. The film tells the story of Cormac who after the sudden death of his parents must choose between returning to his home village in the west of Ireland to care for his estranged younger brother, and a bright future in Canada. She is a recipient of the New Writing Development Loan 2018 from Screen Ireland. Also in July, the iffy Short Film Festival screened Somebody, Somewhere, Who Looks After Critters,  Sarah’s debut documentary short which focuses on the life of Alex Scade runs a one man animal sanctuary from his self-built cabin on the edge of the Beara peninsula in the southwest of Ireland. Film In Dublin spoke with Sarah to talk screenwriting, directing and the Jurassic Park vibes of emus. Read more…