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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

Director Shaun O’ Connor’s work has screened all over the world and won awards at various festivals, from DC to Dublin and Cork, where Shaun himself is based. He’s directed for television, on stage and for several advertising campaigns, but has received particular notice for his short films. His latest, A White Horse, has been a smash success on the Irish festival circuit over the last year, as an official selection at the Galway Film Fleadh, the Belfast Film Festival, the Cork and Waterford Film Festivals and VMDIFF 2020. Having won at the Oscar-qualifying Foyle Film Festival, A White Horse will be on the longlist for the Academy Awards in 2021.

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Since graduating from the MET Film School in 2015, Megan K. Fox has been a prolific figure on the directing scene in Ireland. She has picked up awards and accolades for her short films Slow Down (2015), GIRL (2016), Calling Home (2017) and The Shift (2018), with another set for release this year in Cailín Álainn, a bilingual coming-of-age film about a transgender teen, which secured the inaugural Kerry Film Bursary and was shot this year 2019. Since being selected for selected for the RTÉ/Screen Skills Ireland’s New Directors Multi-Camera Training programme for continuing drama, Megan has been working with RTÉ, including earning her first TV credit this year for directing on Fair CityThe Shift, a comedy about young Denise (Fiona Bergin) desperate to get the shift at a Gaeltacht disco, has had continued success at festivals in Ireland and abroad since its release, most recently picking up the ‘little iffy’ award for best short at the July edition of the iffy Short Film Festival.  Film In Dublin caught up with Megan to talk about that success, film festivals, and working with other creatives, including the next generation of aspiring Irish directors.

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