Comedy Archives - Film In Dublin

Reviews

Robert Eggers’ The Lighthouse shines bright

Director: Robert Eggers Starring: Robert Pattinson, Willem Dafoe Running Time: 109 minutes

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Flying witches, talking goats, mystical seagulls. That’s only a select few of the mad and intriguing things that director Robert Eggers has brought to his first two feature films; 2015’s The Witch and, now, The Lighthouse. There is no doubt that Eggers likes to challenge cinema goers or, more accurately, create stories that demand attention and encourage debate. A straightforward cinema experience is not something you are going to get here, but you are, without a doubt, the better for that. With The Lighthouse, Eggers delivers an atmospheric psychological thriller unlike any other you’ll see all year. This is an intoxicating, feverish, unnerving and often hilarious experience and one that will have fans ruminating on its messages for years.

January 29, 2020
A24, Comedy, Craig Lathrop, Horror, Jarin Blaschke, Lighthouse, Movie, Review, Robert Eggers, Robert Pattinson, Willem Dafoe

What's On

Withnail and I and You at the Sugar Club?

Do you want one of the finest comedies available to humanity? Do you want them here and want them now? The Sugar Club will try to sate your desires with a screening of British dark comedy classic Withnail and I on Saturday 7th December.

December 5, 2019
2019, 80s, Bruce Robinson, Classic Movies, Comedy, December, Paul McGann, Richard E. Grant, Richard Griffiths, The Sugar Club, Withnail and I

Reviews

Knives Out is a fun whodunnit that takes a stab at something deeper

Director: Rian Johnson Starring: Daniel Craig, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Chris Evans, Ana de Armas, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer Running Time: 130 minutes

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“The game is afoot” renowned mystery-solver Benoit Blanc knowingly crows during one of Knives Out‘s twisty turns, and it seems clear from the outset what game director Rian Johnson is playing here. However mixed (and wearingly unending) the reception may have been for Johnson’s last movie, the man clearly has strong support from Hollywood higher-ups, enough to fund a big “one for him” movie, a “dig out an old idea you’ve always wanted to do and hire everyone you’ve always wanted to work with” movie. And so we get Johnson’s loving homage to the murder mystery genre, a story he’s been kicking around since just after Brick, packed to the seams with rising talents, esteemed character actors and Hollywood royalty. And it’s a bloody delight. The opportunity to self-indulge to this extent is not a luxury every filmmaker is afforded, for what it’s worth though, Johnson uses the platform to delve into some unexpected areas worth examining. If you’re going to do something silly, you might as well do it smartly, which Knives Out accomplished on a number of levels.

Features,News

Finding Filmmakers: Firehouse Film Contest November 2018

The Firehouse Film Contest is a monthly short film festival held in A4 Sounds on Dorset Street, showcasing the very latest efforts from Irish filmmakers, hot off the press. We’ve got the November results and a chat with one of the winners at this month’s screenings, which took place on November 4th.

November 6, 2018
2018, @A4 Sounds, Aidan Fitzmaurice, Comedy, Dublin City, Fancy Vegas, Firehouse Film Contest, Giles Brody, Ian Dunphy, Improv, Independent Film, Irish director, Irish Film, November, Ruth Hunter, Seamus Hanly, Short Film, Underground

News

Beetlejuice, Beetlejuice, Beetlejuice is summoned back to Dublin screens

A Halloween cult classic is finding its way back to Irish cinemas this month. Beetlejuice, newly remastered, will be playing in cinemas throughout the country for its 30th anniversary from October 26th, including screenings in some of Dublin’s top cinemas.

Reviews

The sampled fervour of A Simple Favour simply serves in Feig’s favour

Director: Paul Feig Starring: Anna Kendrick, Blake Lively, Henry Golding Running Time: 117 minutes

A Simple Favour is being billed as coming “from the darker side of Paul Feig”, the man behind films like Bridesmaids, Spy and Ghostbusters; comedies with a reliance on improv and a focus on women. And while his latest film certainly is further along the Dulux spectrum than those titles, A Simple Favour is still a comfortable step just inside the comfort zone for Feig; a sexy thriller that gets how inherently silly it can be to be sexy, or thrilling. That might sound like a criticism, but it’s key to the film’s charm. It’s a combination of thriller and comedy, but rather than feeling like Feig resting on his laurels it has a refreshing feel, riffing on the genre but never thinking its above it. The result, similarly to Spy, is a pleasant surprise.

September 21, 2018
2018, 20th Century Fox, A Simple Favour, Andrew Rannells, Anna Kendrick, Blake Lively, Comedy, Crazy Rich Asians, Gillian Flynn, Gone Girl, Henry Golding, Jessica Sharzer, Nerve, Paul Feig, Searching, The Girl On The Train, Thriller

Features,Interviews

Natasha Waugh and Jonathan Hughes talk Mother, mentoring and Diva cold shoulders

One of Ireland’s biggest film festivals every year, the Galway Film Fleadh begins next Tuesday 10th July, kicking off a week of fantastic films from at home and abroad. And though it doesn’t happen here in Dublin, we eagerly anticipate many of the festival’s films, not least of which includes Mother, the 2017 Galway Film Centre/RTÉ Short Film Commission. The short, starring The Young Offenders’ Hilary Rose and Lochlann O’Mearáin of Ros na Rú, developed from a script by Jonathan Hughes, directed by Natasha Waugh and produced by Sharon Cronin, has an eye-catching premise. It tells the story of Grace, a mother with an ideal happy family; a loving husband and two wonderful children. But when her husband arrives home one day with a brand new kitchen appliance, she slowly starts to realize that there might not be room for both of them at home. It’s a quirky comedy light on dialogue, with an intriguing dark streak. The project received just under €15,000 in funding as part of the commission, as well as the contribution’s of Script Editor Deirdre Roycroft and director Deabhla Walsh (Penny Dreadful, Fargo, The Punisher, Emmy Award winner for Outstanding Directing for a Miniseries, Movie or Dramatic Special, Little Dorrit) as mentors on the scheme. The short will premiere at the Fleadh next week, and ahead of the Mother‘s big day, we caught up with Natasha Waugh to discuss the production, the mentoring aspect of the GFC/RTE programme, and working with a very unique performer…

Reviews

Charlize Theron is a mother on the edge of a break in Tully

Director: Jason Reitman Starring: Charlize Theron, Mackenzie Davis, Ron Livingston, Mark Duplass Running Time: 96 minutes

When Diablo Cody is in a reflective mood, Jason Reitman tends to benefit. Though it will always be a divisive film based on its subject matter and the ‘hamburger phone’ of it all, Juno‘s rooting in the real life experiences of Cody as a teenager and the stories of adoptees and pregnant teens in her life gave it a laudable emotional honesty. The writer-director pair came back together for the underseen Young Adult, a darkly funny and deeply insightful look at arrested development, and the toll taken on the popular girl when she isn’t popular anymore, with a fantastic lead performance from Charlize Theron. Nearly seven years on, the now-trio have convened again for an honest look at parenthood in Tully. The result is raw, sly and very well done.

May 24, 2018
2018, Charlize Theron, Comedy, Diablo Cody, Drama, Jason Reitman, Mackenzie Davis, Mark Duplass, Ron Livingston, Tully

What's On

Now for something completely different as Monty Python come to the Light House

This Spring, Monty Python comes to the Light House Cinema.

I Spring, Monti Python ar cømen till Ljust Hus Møvi Hus.

March 9, 2018
2018, April, Comedy, Eric Idle, Graham Chapman, John Cleese, Light House Cinema, løveli lakes, May, Michael Palin, Monty Python, moose, Smithfield, Sweden, Terry Gilliam, Terry Jones

Features

The Best Films of 2017

It has been a year. In 2017 there was a lot for film fans to contemplate, but in what they say on the screen and in the wider film business. Month after month, entertaining, challenging and interesting films found their way onto Irish screens, either from Hollywood or any number of our own talented Irish directors. It was a year where the sickeningly pervasive culture of abuse in cinema was thrust into the headlines by brave survivors no longer willing to suffer in silence. It was also a year in great filmmaking, where talented, diverse directors were given the opportunity to show their talent, several for the first time, where performances transported us just as believably to the far-off future, the underprivileged, overlooked present and even outside the fluid realm of time altogether. This is Film In Dublin’s list of the best films of 2017, the films that moved us, entertained us, opened our eyes and otherwise expressed everything that cinema is meant to be, in a year that showed that cinema doesn’t always achieve those lofty ideals behind the scenes.

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