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Clare Dunne’s Herself , the Closing Gala at this year’s Dublin International Film Festival  received rave reviews today at Sundance, a possible sign that we may already have the next great Irish film this decade with it only 25 days old. Further to that, the film’s festival success shows how Ireland’s international reputation is continuing to grow; programmers, distributors and viewers alike from all over the world are looking out for Irish talents more and more. The last ten years have seen our profile expand considerably, Hollywood stars like Saoirse Ronan and Colin Farrell are more acclaimed than ever, filmmakers are flocking to our island to make use of our beautiful locations and talented crews, it’s not all sweetness and sunshine but it’s been a good decade. It took a bit of mulling over, so strong was the fear of leaving great work out of a list of only ten, but at last here is Film In Dublin’s celebration of some of the best Irish films of the 2010s, classics that we’ll be going back to again and again.

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Dublin’s Pride festival for 2017 is in full swing right now, and both the IFI and the Light House Cinema are celebrating Pride in their own ways. The full programme for August’s GAZE Film Festival was announced this month, and as Pride rolls, Dublin cinemas are marking the occasion with their selections of Irish LGBT films.

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Director: Darren Thornton Starring: Seana Kerslake, Tara Lee, Charleigh Bailey Running Time: 82 minutes


When tracksuit wearing, club loving ‘Mad Mary’ is released from prison, the expectations people in her life have for her are low. Best friend and bride-to-be Charlene never even considered that Mary might want a +1 for her wedding, or that she would be capable of writing a maid of honour speech on her own. Hen’s Night duty has been taken right out of Mary’s hands, she’d probably just want a few cans anyway, right? Its easy for her friends, her never-grew-up mother, her perspective suitors and the denizens of Drogheda to casually dismiss Mary, but little do they know just how complicated and capable she really is. Likewise, A Date For Mad Mary gradually reveals itself to be more than a simple wedding farce.

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With eight selections at Toronto International Film Festival, Bobby Sands 66 Days box office success, Love is a Sting winning Best Foreign Film Award at the LA Shorts Fest , not to mention recognition of Room and Brooklyn at the Oscars, it seems that the World has grown a real taste for our National Cinema. And now it has been announced that six feature films funded by the Irish Film Board will be shown at the London Film Festival.

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