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Director: Leigh Whannell Starring: Elisabeth Moss, Aldis Hodge, Storm Reid, Oliver Jackson-Cohen Running Time: 124 minutes

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Leigh Whannell is in the director’s seat for this modern adaptation of the 1897 sci-fi horror tale by H.G Wells. Whannell has had plenty of horror experience on screen, as a long time collaborator with James Wan. He’s also dipped his feat into directing with some impressive results. Insidious 3 was arguably the second best film of the series, and 2018’s Upgrade was well received by critics.

 

At a time when Ireland has just seen its first conviction for coercive control handed down in February of this year, it would be an understatement to say that the timing is appropriate to clear up narrow misconceptions about domestic abuse. It’s not always about physical abuse, nor is it exclusively about sexual harassment. Often, it’s a sociopathic lust for control. This is an aspect that The Invisible Man attempts to tap into, with limited success.

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The Virgin Media Dublin International Film Festival 2020 is in full swing and tomorrow one of the biggest parts of the festival every year will take place: the screening of the surprise film. A closely guarded secret by festival organisers, not even the projectionist knows what the film is going to be until the lights go down and the film begins. Some have been excellent, some have been awful, but the anticipation is always killer.

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Making Film Dublin is a special event for anyone seriously interested in filmmaking, including current film students, and independent filmmakers. During the course of the afternoon attendees will hear from a panel of experts about their own filmmaking journey and to learn from them. Taking place at the Generator Hostel Dublin this Sunday March 1st,
a substantial line up of expert filmmakers have been assembled, all of whom are vital and active members of the fair city of film. Two of the first guests confirmed for this event are:

Liam McGrath, Scratch Films:
Liam McGrath is a director and producer, known for Southpaw: The Francis Barrett Story (1999), Blood of the Travellers (2011) and Dolores Keane: A Storm in the Heart (2014).

Robert Fitzhugh, Dublin Smartphone Film Festival :-
Director of the Dublin Smartphone Film Festival, founder of Filmsmart productions. Videographer, director, and speaker.

Making Films Dublin has been organised by final year film students at Ballyfermot College of Further Education. The proceeds from ticket sales will be used to fund their Final Year film which is called Ballcourt (Dir. Heidi Kivikallio) which will be shot on 9th – 13th March and screened in the IFI in May 2020.

The workshop will be divided into talks, practical tips, Q&A and networking to close, providing aspiring creatives with an opportunity to take valuable first steps in filmmaking in Dublin. Find out more here.

Tickets for this event are €10 and are available now from Eventbrite.

The 2020 Virgin Media Dublin International Film Festival has finally arrived. The biggest event in the year for film in Dublin (and Film In Dublin) officially gets started this Wednesday evening with the Opening Gala screening of Vivarium, Lorcan Finnegan’s sci-fi thriller. Cinephiles from all over the island and beyond will be zipping back and forth in the fair city of film over the next twelve days, checking out screenings and events in a packed programme.

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Collectors of cult film curios Cabaret Noise are sounding off again, set to return to Stoneybatter in the spring with a new batch of the strange, underseen and interesting. From March through to May they’ll be hosting a trio of their well-curated and thought provoking presentations, deep from the deeper cuts of film.

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With the Virgin Media Dublin International Film Festival kicking off next week, anticipation is building for a few weeks of exciting screenings, intriguing events and of course, the DIFF Discovery Award. The Discovery Award at identifies, supports and encourages new and emerging talent in the Irish film industry, both in front of and behind the camera. Thirteen emerging talents have been nominated for this year’s Award, with the winner to be announced on the closing day of the festival, Sunday 8 March, 2020. Ahead of the beginning of DIFF, Film In Dublin reached out to some of the nominees to get a better sense of their creative influences, nominated works and views on the industry today.

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Sass Mouth Dames celebrates woman’s pictures from 1929-1959, a genre in classic Hollywood which regarded women’s stories as important and meaningful. Megan McGurk regularly hosts both the Sass Mouth Dames podcast and the Sass Mouth Dames Film Club, discussing, distributing and celebrating prominent fixtures in female films from the Golden Age of Hollywood. The latest series of Sass Mouth Dames will be kicking off screenings in Dublin in March 2020.

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Located just on the South Circular Road, The Circular is a bar and grill that offers craft beer, pizza and now a bit of cinema too, via their Rialto Cinema Club. Every week they’ll be showing a variety of films, with some intriguing deep cuts on the menu for the weeks ahead. It’s sure to make for an entertaining addition to screenings taking place throughout the fair city of film.

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