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The summer issue of Film In Dublin’s zine Pretty Deadly Films is out now. School’s out for summer and we’re getting that bell ringing feeling.

Our zine celebrates the best of blockbusters, cult hits and fave films, where the pretty and the deadly do things that are pretty deadly. On film.

Issue Six – School’s Out For Summer is available now and this issue features:

Original art by Brian Burke and Jess Dunne

A recipe for a Breakfast Club Sandwich by Luke Dunne

An essay on excitement and melancholy in Teen Movies by Ciara Moloney

A list of queer coming-of-age stories by Francesco Barri

An essay on the 2017 Power Rangers reboot and its truer to life teens by Graham Day

Your guide to teens texting that slashers are after them this summer

 

Take a look at Film In Dublin’s Gumroad page and get your copy now. You can get a digital download for your PDF copy of PDF for pay-what-you-can pricing HERE. Or if you’d like a hard copy sent right to your door, take a look HERE.

Stay tuned for more bits, bobs and info on our summer issue of Pretty Deadly Films.

Rogue Aurora (She/Her) is a Drag Queen from Dublin who has a love for glamour, alternative fashion and the macabre. Unable to showcase her drag during lockdown, Rogue did what a lot of people did and turned to the internet where she would stream video games in full drag, take part in digital drag shows with other performers from all over the world and eventually start a YouTube channel where she regularly uploads videos of herself doing her makeup while discussing horror movies.

Film In Dublin caught up with Rogue to have a chat about some of her Movie Memories, horror origins, starting a Youtube channel and more.

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The latest information is that cinemas will be open again at reduced capacity from June 7th. While news, reviews and events in the fair city of film remain a little thinner on the ground, Film In Dublin is still taking an occasional look at What’s On…The Shelf, taking a deeper dive in to some of the films in their personal collections. This time, Luke Dunne sings the praises of unjustly forgotten 90s family film, Mouse Hunt.

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Many a movie lover in the fair city of film is dying for the day when cinemas are back open again, but as we all know, a cinema is only as good as its programming. At the Light House Cinema in Smithfield and the Pálas in Galway, that selection is curated by Charlene Lydon, a genuine buff with a storied career and a fine eye for film. 

In the latest Movie Memories, Film In Dublin spoke with Charlene to get more info on her own background, the secrets to a good slate of cinema and her hopes for the future as the chance of a return to Screen 1 becomes an ever so slightly bright light projected on the end of a long, uncertain tunnel.

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The MonsterVerse is a Hollywood franchise and shared fictional universe focusing on giant monsters duking it out, an impactful visual statement on how division wreaks inherently destructive and grotesque consequences and also an impactful visual statement on how cool it is when big monkey punch dinosaur.

Produced by Legendary Entertainment and co-produced and distributed by Warner Bros, the series most prominently features two of the most famous monsters in popular culture: Godzilla and King Kong, culminating in the recent release of Adam Wingard’s Godzilla vs Kong, pay-per-view knockout / Hollow Earth conspiracy propaganda. A fun, proudly stupid monster beat em’ up that knows exactly what it is trying to be, the film nevertheless prompted a lot of questions, including ‘is Eleven from Stranger Things in QAnon?’, ‘if Kong Kong can learn sign language, can Godzilla learn sign language?’ and ‘did they get the idea for this film’s climax from The Simpsons?’. One particular question grew and grew in this writer’s mind though, like an ancient sea monster awoken by nuclear radiation: Is Fungie the Dolphin a Titan?

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A winner of the Audience Award for Best Short at this year’s DIFF, the Spirit of the Festival Award at the Catalyst Film Festival, and the Best Cinematography Award for the Irish Region of the Royal Television Society Awards, To All My Darlings continues to make an impression whenever it gets eyes in front of it. A graduation film for students of IADT, To All My Darlings impresses and inspires, both in screen and behind the scenes in the success of its young and diverse crew.

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In Direct Line, Film In Dublin cuts to the chase, asking quickfire questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

With a storied career in theatre, television and film, writer, director, producer and performer Róisín Kearney is no stranger to those familiar with the Irish film scene. Her latest short film is Paddy, a story of identity soaked in 70s London Punk scene sweat. Funded by Creative Ireland and Clare Co Co, the short premiered last year at the Galway Film Fleadh and is one of the home-grown films currently available as part of this year’s Virgin Media Dublin International Film Festival.

During DIFF, Film In Dublin got onto Róisín for a quick chat about her latest film, how her background in theatre has helped her in film and more.
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A hard-hitting short film recently released offers a sobering response to the 2018 Papal visit to Ireland. God Given Opportunity is a short film by Anne Marie Kelly, made in response to the Papel visit to Ireland in 2018 and Kelly’s experience at the Stand 4 Truth demonstration which coincided with Pope Francis’ mass in the Phoenix Park.

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artwork by Amy Lauren McGrath

It has, somehow, been a year. And while this year hasn’t allowed us to seek refuge in front of the big screen as often as we might like, and though many of the most anticipated releases of the last twelve months have been deferred to 202-dot-dot-dot-question-mark, we still have been able to enjoy some truly exceptional films at a time when we really needed them. Using Irish release dates, the Film In Dublin team have come together to pick out ten of the best of 2020. Films that helped us to escape. Films that served as a funnel to feel through *all this*. Films with pet hyenas in them. So a broad spectrum as always.

What films made your own personal Best of 2020 list? As ever, we’d love to hear from you. Leave us a comment below or hit us up on Twitter and Instagram and let us know what movies moved you over the last year, and let us know what you make of the list below.

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