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Directors: Maeve O’Boyle, Lucy Kennedy and Aideen Kane Running Time: 95 minutes
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The Galway Film Fleadh opened last night with the world premiere of Irish documentary The 8th. With subject matter so closely tied to the recent national psyche of the country, going as it does through the campaign to repeal the 8th Amendment which constitutionally banned abortion in the Republic, it can be difficult to assess Maeve O’Boyle, Lucy Kennedy and Aideen Kane’s documentary on it’s own merits. Functioning similarly Linda Cullen and Vanessa Gildea’s Marriage Referendum doc The 34th, the film plays out as a matter of historical record, but the filmmakers do allow the heavy emotions of the time their rightful place, elevating The 8th beyond the newsreel footage.

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In the latest episode of the Breakout Role Podcast, Luke and Jessica take a different approach, looking at a trio of early films from the early years of Amy Adams’ career. From the dispiriting, reductive and embarrassing Cruel Intentions 2 and the grind of a Hollywood machine that almost led Adams to quit acting altogether, to the freedom of indie drama Junebug, Oscar success but overall underappreciation, to finally launching into the mainstream (and reviving Disney?) in Enchanted, Adams’ strive to breakout is a fascinating journey through the boxes actresses get forced into by Hollywood and the drive it takes to work ones way out of them.

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This year the IFI Spotlight is going online. The Spotlight is an annual event from the Irish Film Institute which  present a focus on Irish film and television’s year in review. The Institute will be looking back at 2019 to observe current trends in production, distribution and consumption of new work with a number of guests via Zoom and tickets to the first event are available to some reserve now.

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Anyone who’s ever watched the credits at the end of a film knows what a collaborative effort it is to get from a script to a screen, and how many people are involved. But when a pandemic locks you into your home, how do you go about it using available technology?

We’ve all become accustomed to Zoom meetings during the pandemic, but co-producers Adam Brennan and Colin Fleming decided they would use the platform to direct their short film “Devolved”. The film is a co-production between Monaghan-based FKU Productions and City Morgue Films.
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  • May 20, 2020

With news, reviews and events in the fair city of film a little thinner on the ground at the moment, Film In Dublin will taking an occasional look at What’s On…The Shelf, taking a deeper dive in to some of the films in their personal collections. This time, Luke Dunne goes on long on John Carpenter’s Big Trouble in Little China.

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Every year the Galway Film Fleadh serves as one of the biggest and brightest celebrations of film in the Republic, a summer film festival with top programming and an enviable atmosphere. Film In Dublin’s hopes for a road trip to the Fleadh are dashed this year, with large gatherings non-viable and cinemas to remain closed until at least mid-August. However, the Galway Film Fleadh have made the decision to present the 2020 festival edition online, meaning viewers in the fair city of film, the hooker county and elsewhere on the island will be able to come together for a taste of that festival magic.

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