Fall in love with Fallout season at the IFI this July

The Irish Film Institute has taken the nuclear option for programming this summer. Their Fallout season runs July 1st – 30th, with a selection of films providing an international perspective on arms ahead of Oppenheimer.

This July, the Irish Film Institute has curated Fallout, a season of films and documentaries exploring the international perspectives on the subject of nuclear weapons usage, which hopes to offer audiences a valuable understanding of the consequences of what was achieved at Los Alamos in July, 1945.

Kubrick, Lumet, Mark Cousins and more will have films screened as part of this selection, with 14 features on offer throughout the month. Attendees will be able to experience and reflect on the…fallout of the work of Bobby Oppenheimer and friends, ahead of the release of Christy Nolan’s new film on July 21st.

Films that will be screened as part of Fallout this July include Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Fail Safe, In This Corner of the World (この世界の片隅に), The Atomic Cafe, Hiroshima (ひろしま), Barefoot Gen (はだしのゲン), The War Game, Godzilla (ゴジラ)  and more.

Fallout runs from July 1st – 30th at the IFI on Eustace Street and tickets are on sale now at www.ifi.ie 

The schedule of screenings:

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb  

Saturday, July 1st (16.00)

Probably the most famous depiction of the sabre-rattling between nuclear powers that was common at the height of Cold War tensions, and its possible consequences, Dr. Strangelove was originally intended to be a serious drama before Kubrick’s realisation that there was a rich seam of dark humour to be mined from the seemingly ever-present threat of nuclear annihilation. 

This screening will be accompanied by a specially commissioned six-minute short, Stanley Kubrick Considers the Bomb.

Fail Safe 

Sunday, July 2nd (15.50)       . 

Fail Safe offers an alternate take on Kubrick’s satire, presenting a chillier and more straightforwardly frightening version of the consequences of simple error in the deployment of nuclear weapons. Although an unidentified aircraft entering US airspace is correctly recognised as merely a civilian airliner, a computer glitch results in a bomber group receiving valid orders for an attack on Moscow. 

In This Corner of the World 

Tuesday, July 4th (18.10)

While many of the films portraying the destruction of Hiroshima and Nagasaki focus on the overwhelming aftermath, Sunao Katabuchi’s beautifully presented anime, based on Fumiyo Kono’s manga, is unusual, even in Japanese cinema, for spending much of its running time depicting ordinary life in the years leading to the cataclysm. 

The Atomic Cafe 

Saturday, July 8th (16.00)

In the aftermath of their use of nuclear weapons on the civilian population of Japan, the United States government released a flood of propaganda materials designed to reassure the public that by taking very simple steps, such as ‘duck and cover’, the greatest dangers of a nuclear attack could be minimised. This flagrant abuse of public trust is catalogued here through a masterful compilation of safety films of the 1940s, ‘50s, and ‘60s. 

Hiroshima (ひろしま)

Sunday, July 9th (15.45

In 1951, Children of the Bomb, a collection of eyewitness testimonies from children who had survived the controversial bombing of Hiroshima, was published. Kaneto Shindō’s film adaptation played at Cannes in 1953, but the Japanese Teachers Union, who had funded it, were unhappy with the result. The second version made and presented here is a much tougher docudrama, a harrowing but vital contemporary account of the event.

Barefoot Gen (はだしのゲン)

Wednesday, July 12th (18.30)

Keiji Nakazawa was six years old when he lost most of his family in the attack on Hiroshima. His adult work as a writer of manga frequently touched on the subject, finally finding its fullest expression in the ten-volume Barefoot Gen. Left with his mother and newborn sister after watching the rest of their family die, Gen must navigate a horrific new reality in this compelling animation. 

The War Game 

Saturday, July 15th (13.00)

Despite being awarded at the Venice Film Festival and winning the 1967 Oscar for Best Documentary Feature, The War Game was, according to an internal report of the BBC, ‘too horrifying for the medium of broadcasting’. Its pseudo-documentary style presents a nuclear attack on Sheffield in the manner of a news report, its power lying in its detached and chilling depiction of the rigid structure of British society falling quickly into violent chaos.

Admission to this screening of The War Game is free, but ticketed. Tickets available from the IFI Box Office.

Atomic: Living in Dread and Promise 

Saturday, July 15th (14.15)

Noted cinephile Mark Cousins, who began his filmmaking career working as associate director on Dear Mr. Gorbachev (1989), a television documentary in which ordinary people from around their world voiced their fears and concerns for the future to the Soviet leader, has here created a montage film tracing the history, good and bad, of the Atomic Age.

Godzilla (ゴジラ) 

Sunday, July 16th (15.50)

Although subsequent films in the kaiju genre would see the character’s purpose change, the original incarnation of Godzilla came very much in the shadow of Hiroshima and Nagasaki, all of which loomed large in Japanese popular consciousness. Awoken by nuclear testing in the Pacific, the giant, prehistoric sea monster causes destruction on land and at sea.

On the Beach 

Wednesday, July 19th (18.00)

It is perhaps indicative of the place the bomb had come to occupy in popular culture that Stanley Kramer’s adaptation of Nevil Shute’s unremittingly bleak novel should have attracted a cast of stars of the calibre of Gregory Peck, Ava Gardner, Fred Astaire, and Anthony Perkins. Following a massive exchange of weapons, humanity’s last survivors wait in Melbourne for radiation clouds to reach them from the destroyed Northern hemisphere and seal the fate of the species.

Dead Man’s Letters (Письма мёртвого человека)

Saturday, July 22nd (13.00)

Co-written by Boris Strugatsky, the film follows a group of characters confined to post-apocalyptic life in underground bunkers. Nobel laureate Professor Larsen (Rolan Bykov), whose scientific knowledge has doomed him to a greater understanding of his predicament, takes care of his sick wife, keeping his sanity by writing letters to his missing son.

When the Wind Blows 

Sunday, July 23rd (16.00)

Raymond Briggs’s 1982 graphic novel was brought to the big screen by Irish-based director and animator Jimmy Murakami. Elderly couple Jim and Hilda Bloggs (voiced by Sir John Mills and Dame Peggy Ashcroft), aware of escalating international tensions, follow the advice of government pamphlets in preparing for the worst.

A Compassionate Spy 

Saturday, July 29th (15.45)

This new documentary from Steve James focuses on physics prodigy Ted Hall, recruited from Harvard at the age of 18 to work at Los Alamos. Although Hall initially took pride in the work he was doing, the application of those efforts in what befell Hiroshima and Nagasaki caused him to consider a future where an ever-changing America continued to wield such awesome power, alone. His solution was to feed information on the development of atomic weapons to Soviet intelligence, inadvertently contributing to the start of the arms race.

The Man Who Saved the World 

Sunday, July 30th (15.40)

When films such as Dr. Strangelove posited the possibility of nuclear destruction occurring by accident through error on the part of man or machine, authorities went to great pains to reassure the public that measures were in place to prevent such catastrophic failures. However, in September 1983, a malfunction in the Soviet satellite system indicated a first strike against the country by the United States. It was only the actions of Soviet Lieutenant Colonel Stanislav Petrov, who was convinced, rightly, that it was an error, that genuinely did prevent an all-out nuclear war. Peter Anthony’s engaging documentary gives credit to a man without whom human history would be horrifyingly different.

Where to watch Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

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