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Director: James Franco, Starring: James Franco, Dave Franco Running Time: 105 minutes


To know exactly how The Disaster Artist approaches its subject, know this. The film opens with a slew of Hollywood celebrities earnestly describing their love of The Room, the titular disaster, and closes with praise for the phenomenon that the film and its artist, Tommy Wiseau have become. Captions and real footage show Wiseau in attendance at some of the many midnight screenings that have transformed his terrible film from being an LA inside joke to the central story of a genuine Oscar contender, a feel-good wrap-up of an unlikely success story. It’s hard not to see a bit of self-back-patting at the heart of this endeavour. King of the so-bad-its-good films, the appeal of The Room is that it’s a genuine attempt at creating art and exploring human emotions from a man who seemingly understands neither art nor human emotions, nor human anything for that matter. A film that is just off in every way imaginable, provoking equal parts hilarity, revulsion and perverse curiosity. The appeal of The Disaster Artist is The Room. James Franco’s love of the cult film comes through and is sure to get laughs from fellow fans, inspiring a few more along the way, as he takes on the Tommy persona impressively and recreates the best-worst scenes. However, there are depths to this bottom-of-the-barrel that he is not so interested in delving into, preferring a level of insight that never reaches much higher than sketch comedy.

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Director: Seth Gordon Starring: Dwayne Johnson, Zac Efron, Priyanka Chopra, Alexandra Daddario, Kelly Rohrbach Running Time: 119 minutes


After a near-totally negative reaction from critics to his latest film, Baywatch lead Dwayne Johnson took to Twitter to insist that “the fans’ love the movie” and that it was made for them anyway, not the critics. It is entirely possible that Baywatch fans wouldn’t set the bar too high. They did after all keep the television series on the air for 11(!) years, ogling heaving chests as inane plots about diamond smuggling surfers or other such sub-airport novel cheese sailed by mostly unnoticed. A few laughs, some beautiful people and a heavy dose of cheese would probably be enough, but Baywatch‘s biggest problem is how often it loses sight of its own stupidity, somehow buying into itself as though its stories about teamwork, overcoming selfishness and thwarting corrupt beachside property developers are actually compelling. Just like Dwayne Johnson tackles bad reviews with all the emojis, exclamation marks and critic-bashing of someone who unconvincingly insists that they aren’t mad at all, Baywatch isn’t as in on the joke as it wants you to believe it is.

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Well this doesn’t look all that promising…

Starring the ever lovable Dwayne “The Rock” Johnson and the reasonably entertaining Zac Efron, this updated film version of the ‘classic’ hit TV Show Baywatch adds a distinctly comedic twist to proceedings. Understandably so – the original was an incredibly cheesy 90’s slice of weekly rescue action meets soap-opera melodrama. This new film is clearly aiming to capitalize on the success of another recent classic series adaptation, 21 Jump Street.

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