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Blogger, podcaster, author, Darren Mooney is one of the hardest working names in the Irish critical community. A long-time writer on award-winning the m0vie blog, his one-stop shop for all things pop culture, Darren also contributes regularly to the Irish film monthly magazine CinÉireann and curates both the Scannain podcast and The 250, where he and Andrew Quinn look at IMDB’s list of the top 250 films of all time. (Full Disclosure: This writer has appeared on both podcasts.) Darren has recently published his latest book, Christopher Nolan – A Critical Study of the Films, a history covers Nolan’s complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur. Film In Dublin caught up with Darren to talk about his movie memories, influences as a writer, and experiences in the toxic waters of online backlashes.

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Dunkirk is one of those films that sets very high stakes for itself before the trailers are even released. Christopher Nolan took a risk tackling a subject that is still holds significance in the collective memory of so many. That said, the technical brilliance of the film is clear from poster to trailer to the film’s opening moments, so it’s to be expected that the Film In Dublin team would all end up watching Dunkirk on the big screen. We found that our opinions varied from Luke’s “all-out immersive assault on the senses” to “spectacle over emotion” and so we decided to collect some of our team’s reactions to one of the summer’s biggest films. Nolan has always been a divisive director and reactions to Dunkirk have been no different, so check out what our writers had to say.

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