Director: Ron Howard Starring: Alden Ehrenreich, Emilia Clarke, Donald Glover, Woody Harrelson, Paul Bettany, Thandie Newron, Jon Favreau, Phoebe Waller-Bridge, Joonas Suotamo Running Time: 135 minutes
As we settle into the reality of Star Wars as a tentpole Disney franchise, with a new film every single year and a television series in the works, it’s understandable that Kathleen Kennedy and co. would want to solidify the appeal of the spinoff films by featuring one of the property’s most popular characters. Once Solo: A Stars Wars Story finishes cleaning up at the box-office, they can start to plot a whole line of films to put the spotlight on your favourite characters from across the Galaxy. Lando Calrissean? Why not, says Kathleen Kennedy, that Donald Glover is so hot right now. Boba Fett? Maybe, if it will finally shut you fans up about him. That one lad in A New Hope that looks like the devil? Okay, maybe not him. Han Solo though, ‘everyone’s favourite’ from the original trilogy, was supposed to be the safe bet, and the exec’s adamant desire to keep it that way was partly what led them to axe original directors Phil Lord and Chris Miller, apparently too madcap and wacky in their ambitions for the film. They were replaced with the experienced, steady hand of Ron Howard, who reshot almost everything and presented a friendly face behind a marketing campaign nervously encouraging the somewhat sceptical viewing public that yes, they do need to know Han Solo’s origins. What Howard, veteran screenwriter Lawrence Kasdan and the rest deliver is indeed the safe bet, in a film that’s far too middle of the road to be essential viewing. What we have here is one square unit of Star Wars movie, mostly milquetoast with a few rough edges born from the inelegant ‘creative differences’ and perhaps a meeting too many in the boardroom. If you’re looking for any noteworthy insights into Han Solo as a character, you’re not likely to get them here. If you’re looking to know where he got his apparently iconic blaster though, this is the film for you (somebody hands it to him).
Director: Rian Johnson Starring: Daisy Ridley, John Boyega, Adam Driver, Carrie Fisher, Mark Hamill, Oscar Isaac, Kelly Marie Tran, Andy Serkis, Domhnall Gleeson Running Time: 152 minutes
Hope, hope, hope, hope, hope….that’s the buzzword in Disney’s latest blockbusting checkbox. A word that too often crops up in The Last Jedi evoking the enduring legacy of the first Star Wars, later retitled A New Hope. As creative choices go it struck me as shallow and lazy but for this new chapter in Disney’s ongoing mission to monopolise blockbuster cinema for the next century it’s understandable. Read more…
Director: Rian Johnson Starring: Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Mark Hamill, Carrie Fisher, Kelly Marie Tran, Laura Dern, Andy Serkis, Domhnall Gleeson, Benicio Del Toro Running Time: 152 minutes
One thing that should probably be acknowledged about Star Wars before launching into a review of the latest entry to the series is that its cultural footprint is simply too big for anything approaching a consensus to form. Every Star Wars film since the original faced heavy backlash after their initial release. Some were also widely acclaimed at the same time. Some grew their reputation over the years. And some were the prequels. A film that aims to be seen by so many simply cannot please everyone all of the time, even if it tried, but despite the pressure of having to deliver to such a dedicated fanbase and such keenly invested taskmasters at Disney, director Rian Johnson boldly declares never to tell him the odds and instead has made The Last Jedi into the kind of film he knows will entertain one person for certain: himself. Make something for yourself and others usually follow, and those of a like-mind with Johnson will see in The Last Jedi an ambitious, electrifying and reflective blockbuster.
IMAX’s second screen in Ireland is opening in Blanchardstown this evening, with some big blockbuster films just over the horizon.
Cineworld Dublin is home to Ireland’s only IMAX theater. The Parnell Street location has been the place to go for the IMAX experience for years, even inspiring a film based on the subject. On Saturday 8th April Cineworld are inviting film fans to experience IMAX, screening a selection of recent blockbusters at low prices.
With Rogue One out this week, I decided to take a look back at last year’s Star Wars offering, The Force Awakens. While both new Star Wars films have been both celebrated and attacked for championing ‘minority’ characters, they’re still very much focused on Fathers and the passing on of power, which shows that patrilineage is still king. Patrilineage means the ways that we keep track of, and idolize, biological fatherhood. And nothing has preserved patrilineage quite like domesticated dogs – where would we be without man’s best friend? Probably still figuring out farming.
Everybody loves cake, that’s a fact. There are loads of great bakeries in Dublin, but POW! Cake That! is one of the most unique bakers in the city. The cupcakes and celebration cakes of POW! Cake That! are inspired by all things nerdy, with something sweet and super cool looking for fans of everything from comic books to pro wrestling to of course, movies. Over the years the Phibsboro-based baker has made some amazing treats based on your favourite movies and regularly supplies the likes of Cineworld and Dr Sketchy’s with some great selections of cupcakes, doughnuts, cake pops and more. Check out some of the best and check out the baker herself on Facebook, Twitter and Instagram.