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The Irish Film Institute’s annual Horrorthon is just one week away, a mix of bloody madness and mayhem that showcases a diverse range of horror films from Ireland and abroad. With plenty of Irish premieres, a couple of Q&As, shorts, surprises and a looot of blood, the IFI Horrorthon 2018 is set to be another great, gruesome festival of horror. We’ve picked out a few of the festivals highlights, and we’ve got the full programme for you to look through.

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An upcoming masterclass in Dublin aims to teach upcoming filmmakers everything from pre to post production to make a great short film. Feature Film School are taking bookings for this class now, with an exclusive discount available now to Film In Dublin readers.

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Returning to the fair city of film for it fourth year, the Dublin Greek Film Festival 2018 will present features, documentaries and short films from Greece along with special events at the Chester Beatty, The New Theatre and The Sugar Club this week.

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DUST is a short film by Nigel Mulligan, a first-time director inspired by such film makers such as David Lynch, Terence Malick, Danny Boyle & Lars Von Triers. Scripted as well as directed by Mulligan, DUST aims to explore themes of addiction and psychosis, themes that are close to the director’s heart due to his work as a psychotherapist in the homeless sector.

Starring Jamie Doyle and Sorcha Fahy, the short blurs the lines between reality and hallucination as philosophical lead character Cassie explores a romance with stable Art, but struggles with new drug 2CB and its effect on her grip on reality.

Film In Dublin spoke with Mulligan about his film, as he aims to screen it at upcoming festivals.

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Coming soon to the Light House Cinema is Dublin’s latest film festival. The Dublin film fan’s calendar is always bursting with film festivals, especially at this time of year. Even this week, the Peter McVerry Trust are hosting a festival of their own at the Smithfield cinema, with the Opening Doors Film Festival well underway, screening films like The Florida Project and Paddy Breathnach’s soon-upcoming Rosie, an important effort from Ireland’s first ‘homeless film festival’ to engage cinema audiences on the issue of homelessness and stir debate and conversations on its impact on our society. Also this week you can check in on the future of Irish film through ‘SEA CHANGE – IADT@21’, a screening of the Best of IADT’s Film Graduate shorts taking place this Thursday 11th October, 6pm at The Studio in dlr LexIcon.

Looking ahead to November though and back, as ever, to the Light House, the Dublin Independent Film Festival will be the latest showcase of a range of Irish talents, taking place on Thursday, 1st November. This festival is organised for both independent filmmakers and cinema-goers who love to discover niche films and artists.

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The acclaimed documentary Katie is the standout pick among another programme of interesting documentaries screening at the Irish Film Institute’s annual Documentary Festival. The festival will  run this September from Wednesday 26th to Sunday 30th, and Katie director Ross Whitaker will be in attendance after his film’s showing on the Saturday for a Q&A session with the audience.

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One of the highlights of the calendar every year in the fair city of film, the GAZE LGBT Film Festival is shaping up to have one of its most packed programmes yet. There’s loads to see and do during the festival, which takes place this year from the 2nd to the 6th of August, but we’ve picked out a couple of highlights for you to help you plan your own festival schedule. Narrowing it down to six picks was hard enough, considering how many intriguing screenings and events are taking place (we originally had five and just had to add more), but these are some of the most can’t miss moments during a great weekend to come.

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The GAZE LGBT Film Festival officially launched the programme for the 26th festival last night at an event hosted by lead sponsor, Accenture. A launch party attended by special guests took place at The Dock – Accenture’s hub at 7 Hanover Quay. The full festival programme, including feature films, shorts and workshops, is available now. One of the highlights of the calendar every year in the fair city of film, GAZE 2018 is shaping up to be one of the most intriguing editions of the festival yet.

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One of Ireland’s biggest film festivals every year, the Galway Film Fleadh begins next Tuesday 10th July, kicking off a week of fantastic films from at home and abroad. And though it doesn’t happen here in Dublin, we eagerly anticipate many of the festival’s films, not least of which includes Mother, the 2017 Galway Film Centre/RTÉ Short Film Commission. The short, starring The Young Offenders’ Hilary Rose and Lochlann O’Mearáin of Ros na Rú, developed from a script by Jonathan Hughes, directed by Natasha Waugh and produced by Sharon Cronin, has an eye-catching premise. It tells the story of Grace, a mother with an ideal happy family; a loving husband and two wonderful children. But when her husband arrives home one day with a brand new kitchen appliance, she slowly starts to realize that there might not be room for both of them at home. It’s a quirky comedy light on dialogue, with an intriguing dark streak. The project received just under €15,000 in funding as part of the commission, as well as the contribution’s of Script Editor Deirdre Roycroft and director Deabhla Walsh (Penny Dreadful, Fargo, The Punisher, Emmy Award winner for Outstanding Directing for a Miniseries, Movie or Dramatic Special, Little Dorrit) as mentors on the scheme. The short will premiere at the Fleadh next week, and ahead of the Mother‘s big day, we caught up with Natasha Waugh to discuss the production, the mentoring aspect of the GFC/RTE programme, and working with a very unique performer…

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Young filmmakers Matthew Roche and Elliot Milofsky are putting out interesting short films at a fast pace, through their production company Extra Extra. Their latest short, Philomela is the story of a woman who experiences a break-in to her home and is forced to keep the intruder. Though Mela attempts to persuade the guards, her parents and others of the injustice, her words go unheard and the psychological toll on her hits hard. Blunt and stark, it nevertheless makes its point very clearly. It isn’t difficult to figure out the political subtext of Roche and Milofsky’s film, this week in particular. Film In Dublin spoke with Matthew Roche about the thinking behind the short.

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