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70mm showings of Christopher Nolan’s Dunkirk have proven to be very popular at the Irish Film Institute, just one factor in making the historical epic a major hit at the Irish box office. As part of the IFI’s commitment to exhibit, preserve and educate, they’re no strangers to showing films in a variety of formats, with authentic prints of films like The Right Stuff being regular features of IFI programming. The most recently announced example is upcoming screenings of a new 70mm print of David Lean’s classic Lawrence of Arabia, which will be showing at the cinema from Oct 20 – 22. But what exactly is the difference between 70mm and the more modern digital? How do great films go from the booth behind you to the screen in front of you? It’s hardly just a matter of pushing play on a DVD, as the IFI’s projectionist Paul Markey explains. Film In Dublin spoke to Paul about the work that he does, different film formats and more.

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Rick O’Shea is a familiar name to anyone regularly tuned into the Irish airwaves. A radio presenter with RTÉ 2FM since 2001, Rick also regularly introduces movie premieres in Dublin and has conducted public interviews at the Dublin International Film Festival for the last few years with the likes of Richard Dreyfus, Danny DeVito, Michael Madsen and Harry Shearer. Film In Dublin caught up with Rick to talk about the changing landscape of Dublin cinemas, the problem with book adaptations on the big screen and more.

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