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Director: Gary Ross Starring: Sandra Bullock, Cate Blanchett, Mindy Kaling, Sarah Paulson, Helena Bonham Carter, Awkafina, Rihanna, Anne Hathaway, James Corden Running Time: 110 minutes


Like its older brother Ocean’s 11Ocean’s 8 opens with a parole hearing. Sandra Bullock’s Debbie Ocean, a sibling to Clooney, is asked what she’s planning to do on the outside. Cue the knowing look and the game is afoot. This entry to the breezy Ocean’s series has flown in under the radar of RUINED FOREVER faux-outrage fans, possibly because the trilogy of the late 90s-early 00s never had that kind of devoted nerd following, possibly because the too-cool-for-school affect of Clooney, Pitt and the rest of the eleven were too confident and comfortable in their own skins for a certain kind of viewer to latch onto, internalise and toxify. Freed from the burden of fandom expectations and political sandbags, Ocean’s 11 delivers pretty much the same thing as it’s histaff counterpart: beautiful movie stars hanging out and quipping in a beautiful location, the kind of no-fuss, no muss mid-range movie we could do with more of.

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Director: Luc Besson Starring: Dane DeHaan, Cara Delevingne, Clive Owen, Ethan Hawke, Rihanna, John Goodman Running Time: 137 mins


There’s a great chase sequence near the beginning of Valerian and the City of a Thousand Planets in which the characters exist simultaneously in two alternate dimensions. One a colorful, expansive and beautiful looking desert world filled with wide-eyed consumers; the other an over-packed, messy and dangerous market planet, where the possibility of adventure (or disaster) lies around every corner. Much like this inter-dimensional marketplace, the film seems to exist in two separate states at once. And, much like the characters, viewers will likely find themselves torn between the two. Valerian is awful. But it’s also kind of amazing. And damn if it’s not great to look at!Read more…

Luc Besson is back, returning to big budget science fiction for the first time in 20 years. That film, The Fifth Element was charming, bright and ridiculous, like a comic book come to life. Owing more to Flash Gordon than Star Wars, the film offered jaw-dropping visuals coupled with quirky performances elevating it above the normal summer blockbuster fare.

Now the first trailer has dropped for Besson’s latest film Valerian and the City of a Thousand Planets. Adapted from the long-running French Valérian and Laureline created by Pierre Christin and Jean-Claude Mézières, while it certainly looks spectacular, it can’t help but feel a little familiar.

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