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Science fiction doesn’t always have to be about laser beams and Ewoks. For those who like the science in their films to be a little harder in nature, the Irish Film Institute is offering a series of films, both fact and fiction, that explore and incorporate plausible scientific methods and practices into their stories. These are the thinking person’s films about science and they’re on offer next week at the IFI.
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The current incarnation of HBO’S Westworld series is now on the eve of its fourth episode and enjoying universal critical approval. Mixing thought-provoking science fiction with disturbing horror, the show poses a number of ethical and social questions about socialites rapid adoption and integration with technology. Where do we draw the line between artificial life and human life? Is it murder or infidelity if none of it is real? These are poignant questions in 2016 and the show could not have arrived at a better time to explore these themes. To get a better understanding of this new incarnation we here at Film in Dublin have decided to revisit the Cult 1973 original. Released incidentally only 2 days after the opening of Disney World Florida, Westworld posits a future where rich tourists can enjoy luxury vacations in a state of the art adult theme park, their every needs served by lifelike robots. The vacation becomes a nightmare when the androids start malfunctioning and killing the guests. 43 years after its release, this low budget SCI-FI now seems sharply relevant. It is a cautionary tale of man’s inability to see its own fallibility in the pursuit of innovation.

 

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