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This May, the Cinemagic Film and Television Festival for Young People returns to Dublin from its annual film festival. From May 10th-20th, a bursting schedule featuring 100 events including world cinema screenings, film and television masterclasses, school workshops, Q&As and young critics panels will set out to inspire and motivate young film fans.

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The full programme for ADIFF 2018 has officially launched. With over 100 feature films being screened, international stars visiting, seven world premieres and plenty of Irish ones, Dublin’s biggest film festival is looking better than ever. Setting the stage for the year to come in the fair city of film, the Audi Dublin International Film Festival is one of the most exciting times of the year for Irish film fans and this year’s programme promises the chance to see some of this year’s most eagerly anticipated movies.

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Director: J.A. Bayona  Starring: Lewis MacDougall, Sigourney Weaver, Felicity Jones, Liam Neeson Running time: 108 minutes

A Monster Calls is part of the growing trend towards children’s films that don’t talk down to children, a lá Inside Out. The animated water colour storytelling sequences are inventive and truly beautiful. 2017 may have just begun, but it looks set to be a great year in film.

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Director: Martin Scorsese Starring: Andrew Garfield, Adam Driver, Yōsuke Kubozuka, Liam Neeson, Tadanobu Asano, Shinya Tsukamoto, Issey Ogata Running Time: 159 minutes


It will be interesting to see the Irish reception to Silence, a film about struggling with the Catholic faith that’s been mulling around in the head of Martin Scorsese for some 25 years. Though it’s oppression of the Church rather than by it that leads to the crisis of belief the Jesuit priests of the film encounter, their struggle will no doubt resonate with many viewers here. And in fairness, be of complete indifference to others. As a quiet and understated story of suffering, it’s a stylistic departure from recent bombastic displays from the veteran director, but hidden in the performances of its leads are similar themes of determined men and their (often self-aggrandising) efforts to succeed that have been consistent throughout his work. Suffering is all over this story, but when suffering is as glorified as is in Catholicism, at what point do the motivations of those who are suffering get called into question?

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