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Another Irish film is set to receive a premiere at the prestigious Toronoto International Film Festival. The unique “Gaelspoitation” thriller Black 47 continues its highly successful tour of the festival circuit by stopping off for a North American premiere at TIFF 2018, joining John Butler’s Papa Chulo among many other hotly anticipated films screening in the Canadian culture hub this September.

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 This autumn, one of the most striking films to come out of this year’s Audi Dublin International Film Festival will become available to the wider viewing public of Ireland. A pulpy action thriller set during The Great Famine, we described the Opening Gala of ADIFF 2018 as  a film that “will inspire thoughtful debates and blood-lusting cheers in equal measure”. Lance Daly’s film is set to hit Irish cinemas on the 7th of September.

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Director: Lance Daly Starring: Hugo Weaving, James Frecheville, Stephen Rea, Freddy Fox, Barry Keoghan, Moe Dunford, Jim Broadbent Running Time: 96 minutes


For an event that had such a profound impact on the course of Irish history, the great tragedy and injustice from which Ireland’s entire subsequent history as a nation sprang forth from, it’s surprising that the Famine hasn’t found its story told on cinema screens, particularly Irish ones, more often. Director Lance Daly takes that task on in Black 47, last week’s Opening Gala of the 2018 Dublin International Film Festival. His approach is perhaps unexpected considering the subject matter, the film being a roaring rampage of revenge, internalising the anger and injustice of the Famine into one man’s quest for vengeance. Prestigous? No. But undoubtedly compelling.

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Director: Paul King Starring: Ben Whishaw, Hugh Boneville, Sally Hawkins, Hugh Grant, Brendan Gleeson, Julie Walters Running Time: 103 minutes


Perhaps one of the reasons that critics respond so heartily to the Paddington films is because of what they’re not as much as what they are. Seeing the trailers for children’s films before the feature begins, it’s a breath of fresh air to see just how earnest Paddington Bear is, how little he dances to the latest pop hits, how not-voiced-by-James-Corden he is. An actual effort to celebrate the charming work of Michael Bond, to whom this sequel is dedicated after he passed away this June, shines through in this film; without delving too far into cliche it presents a world of wonder, one that looks increasingly appealing where most kid’s film follow ups double down into a cynical cash-grab.

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