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The urge is understandable to avoid a retrospective of the year 2016. Not since Lot’s wife decided to take a cheeky glance back at Sodom has looking back at something been more likely to produce misery and misfortune the way this year has, but that only makes it all the more important to go back over the few bright spots, particularly for movie lovers. 2016 was undoubtedly a great year for Irish cinema, with 9 Oscar nominations and two wins, Irish films showing prominently in festivals around the globe, major stars and filmmakers coming to film on the island and some eye-catching box office success. Of course, 2016 is a year that will always stand out to the writers at Film In Dublin, as this was the year that the site launched and since mid-July we’ve worked hard to show you the positives and the pitfalls of navigating through the fair city of cinema.

With the year almost over, our writers have compiled a list of some of this year’s cinematic highlights. Balloting every member for their own top picks of the year, a consensus was more or less reached on ten outstanding films, cinema that provided a welcome distraction from the horrors of the last twelve months, helped sharpen our focus from the lessons to be learned from the year, or both. We’re sure to have left out some of your favourites; in keeping the list to the very best of the best we’ve had to omit some of our own best loved choices so we’re more than open to suggestions on what else could have been considered. Here though, are Film In Dublin’s picks for the top 10 films of 2016.Read more…

Director: David Mackenzie Starring: Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham Running Time: 102 minutes


“I’ve never met nobody that got away with anything, ever”. So says Tanner Howard, one half of the pair of bank-robbing brothers in Hell or High Water. It’s an understandable world-view coming from a low-level criminal, a man recently released from prison to a slowly dying part of Texas, where nobody seems to have two dollars to rub together besides the banks and the oil wells. He’s determined to help tip the scales in favour of his brother Toby and Toby’s estranged family, but while the film follows the brothers sticking it to the banks and a pair of aging Texas Rangers pursuing them, Tanner’s words are a pretty clear statement of where things are going. Following on from last year’s Sicario, screenwriter Taylor Sheridan has put together a world that’s morally grey, but not totally bleak. The kind of world where nobody gets away with anything, ever. Or almost nobody.

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