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Film Submissions are now open for the third Dublin Smartphone Film Festival. The festival will be returning for 2020 after two widely successful sold out events. As Irelands only Smartphone Film Festival, the DUBSMARTFF aims to inspire budding directors as well as celebrate National and International filmmakers using Smartphones exclusively to tell their stories.

Dublin Smartphone Film Festival, organised by Film In Dublin alum Robert Fitzhugh, is accepting submissions now for their next festival from both local and International Filmmakers. They are expanding the scope of the event to include and Under 16 Category, looking for younger budding Filmmakers to submit their films either as individuals or in groups. Other Categories include best Fiction, Music video, Documentary, Animation, and 360/VR film. The festival advises that all entries should be no longer than 15 minutes in length. In 2019, the festival received over 100 submissions from over 24 countries and regions, ultimately screening the best 26 of the submissions at the event with the moving The Missing Things (Australia) directed by Jason Van Genderen winning the Grand prize.

After the success of the first two years, the Dubsmartff team are expecting an even larger number of submissions for year three. The festival programmers are on the lookout for captivating stories that take full advantage of the technology.

The Dublin Smartphone Film Festival is set to take place in January 2020 with the venue being announced in
the coming weeks.

The festival is open for submissions for 2020. Submission fees apply.

Entries can be sent to festival organizers via the Film Freeway portal found below.
https://filmfreeway.com/festival/DublinSmartphoneFilmfestival

Visit the Dublin Smartphone Film Festival online at  or
on social @dubsmarff

The New Music is a new Irish film about a classical pianist with Young Onset Parkinson’s disease who joins a Dublin punk band. It aims to shine a light on this rare and little known condition which affects those under 50 years of age.
The film has the full support of Young Parkinson’s Ireland and is currently raising funds to complete post production for its completion deadline in March.  As the film closes in on its funding goals, they have announced a table quiz night in an effort to secure the final funds needed for release.

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The Virgin Media Dublin International Film Festival 2019 has begun! Already the year’s seminal celebration of cinema in the fair city of film has held numerous exciting events. Just this morning, Irish filmmaker Paddy Breathnach hosted a workshop with Sean Bailey of Walt Disney Studios Motion Picture Production, engaging Irish industry professionals with one of the most prominent players. Young minds got a chance to have an early look at The Kid Who Would Be King, Joe Cornish’s exciting family adventure film. There’s a lot to keep track of and the festival hasn’t even had it’s Opening Gala yet, formally launching tonight with the Irish premiere of John Butler’s latest film, Papi Chulo .To help our readers navigate through this fantastic fortnight of film, we’ve picked out a couple of highlights from this year’s programme. You can check out the full schedule here but before then, make sure to give our highlights a look:

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Ahead of the release of Irish horror The Hole in the Ground, Film In Dublin caught up with director Lee Cronin and star Séana Kerslake to chat about filming in the forest, working with young actor James Quinn Markey and more.

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Different sponsor, same great programming – DIFF, now the Virgin Media Dublin International Film Festival, is back. The programme for the Dublin International Film Festival 2019 was launched in the fair city of film yesterday afternoon and tickets are flying off the shelf for a trove of fantastic films now.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

Hazardous Materials is a short film that looks at anxiety completely visually, without spoken dialogue, in an effort to convey something of the main character’s perspective on the world. Nora has trouble talking to anyone, and is scraping by day to day avoiding contact with people, while Rachel, a well meaning co-worker, wants to bring her out of her shell. When Rachel invites Nora to a house party – how will Nora react? The short has had considerable success at screenings so far, including a UK Premiere for World Mental Health Day and showings at 5 festivals/competitions to date.

Galway-based director Brian O’Brien has directed a number of shorts, but Hazardous Materials marks an impressive step forward for the developing director. Film In Dublin spoke to Brian for the direct line on his work.

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One of our most eagerly anticipated Irish releases this year, homegrown horror The Hole in the Ground has a new trailer out now that’s sure to leave your skin crawling, as Séana Kerslake surveys her son who’s come back from a mysterious hole out in the woods not quite right. The stylishly modern trailer combines some creepy imagery, old people smacking their heads off of windows, bodies flying, the ominous sight of the hole itself, set to a suitably scary version of the old classic of Irish infanticide, Weila Weila Walya. The film, premiering over at Sundance soon, will be out on Irish screens this spring. Check out the trailer after the jump.

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A very successful addition to the Dublin film festival calendar last year, the Dublin Smartphone Film Festival will be making a return later this month. Created by former Film In Dublin contributor a Robert Fitzhugh, showcases mobile storytellers. The festival’s mission is to encourage the next generation of filmmakers to share their stories and to provide them with a platform to present these stories to a wider audience and last year also featured several Film In Dublin writer’s among its judging panel. The programme for the festival is available now, and will include a wide selection of phone-made films from Ireland and abroad.

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New Irish horror film The Hole in the Ground, directed by Lee Cronin will have its World Premiere at the renowned Sundance Film Festival this January, ahead of its Irish cinema release in early 2019.

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