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iffy‘ it is a bite sized short film festival on the Liffey, at the Pearse Street Theatre. For less than the price of your typical cinema ticket, the festival will be screening a carefully curated selection of short films, with a wine reception as well if you’re feeling extra fancy.

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Dublin Feminist Film Festival promotes and celebrates female filmmakers, dedicated to inspiring women of all kinds to become involved with filmmaking. The films showcased over the years at the festival have highlighted not just women on-screen, but also behind the camera, and stand as Dublin’s most prominent celebration of female filmmaking. This November, the Dublin Feminist Film Festival 2018 will continue this tradition of displaying women as women as compelling characters and creatives.

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An upcoming masterclass in Dublin aims to teach upcoming filmmakers everything from pre to post production to make a great short film. Feature Film School are taking bookings for this class now, with an exclusive discount available now to Film In Dublin readers.

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The Bleeding Pig Film Festival returns for its third edition from Monday 10th to Wednesday 12th September in its usual venue Keelings Pub in Donabate and there are some exciting new changes afoot this year. This year’s edition of the film side of the Donabate cultural event is committed to embracing women in film, with a focus on ‘F-Rated’ films.

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The unusually-named but culturally relevant Bleeding Pig Cultural Festival returns for ten days of fun in Donabate this September, which also means that the Bleeding Pig Film Festival is back, bringing it’s own 3 day festival-within-a-festival of short films, with the lineup announced today.

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Director: Thaddeus O’Sullivan Starring: Tom Vaughan-Lawlor Running Time: 81 minutes


In picking out names from late 19th-early 20th century Ireland, a time when as George Moore put it, “The sceptre of intelligence moved from London to Dublin”, art collector Hugh Lane may not be the first one that comes to mind. It may not come to mind at all if you’re not a major arts enthusiast. However, the innovative and very interesting Citizen Lane paints a vivid picture of the man as an enigmatic character from a period in Irish history packed full of fascinating figures. Look past the naff title, this unusual mix of documentary and narrative is likely to draw a high appraisal from those who view it.

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Young filmmakers Matthew Roche and Elliot Milofsky are putting out interesting short films at a fast pace, through their production company Extra Extra. Their latest short, Philomela is the story of a woman who experiences a break-in to her home and is forced to keep the intruder. Though Mela attempts to persuade the guards, her parents and others of the injustice, her words go unheard and the psychological toll on her hits hard. Blunt and stark, it nevertheless makes its point very clearly. It isn’t difficult to figure out the political subtext of Roche and Milofsky’s film, this week in particular. Film In Dublin spoke with Matthew Roche about the thinking behind the short.

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For a number of years, Leitrim-based director Sean Clancy has built up his reputation, working on a number of music videos and short films, including the award-winning Cavalier. His first feature film, Locus of Control, tells the story of a struggling stand-up comedian Andrew Egan who is forced to take a teaching job helping the unemployed re-enter the workforce. As Andrew grows accustomed to the droll institution and its occupants he suspects that one of the students is out to get him and that the previous teacher may not have left of his own accord. His life slowly unravels and both Andrew’s lessons and stand-up gigs fall on deaf ears and he finds himself trapped in a larger cosmic joke. The film was shown last month as one of the Irish features at the Silk Road Film Festival, and this Thursday will be the opening feature of the second Dublin Sci-Fi Film Festival. Ahead of that screening of the film, written, directed and edited by Clancy, Film In Dublin caught up with the up and coming Irish director.

 

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This January, the first Dublin Smartphone Film Festival took place at the Generator Hostel in Smithfield, a weekend showcasing the possibilities of smartphone filmmaking. With experienced hands like Steven Soderbergh experimenting with the format, its prominence is only growing, but a new generation of directors are taking up their phones and the opportunities accessible tech is affording them to create films of their own. Two such emerging talents are Matthew Roche and Elliot Milofsky, independent Irish film-makers currently studying Philosophy in Dublin. As part of ‘Extra Extra’, the pair just finished their latest short film Lady Luck, a submission for the Moment Invitational Film Festival. Their last short film Far won “Best Irish Film” at the Dublin Smartphone Film Festival and even since then the pair have been directing more shorts, all completed only with a smartphone. Film In Dublin spoke with the pair about their efforts in filmmaking and in getting others to realise the potential of the phones in their pockets.

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