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Screenwriter and director Sarah Ingersoll has got a fair bit of miles in while learning her craft. A graduate of The Glasgow School of Art, Sarah’s has a background in visual art and photography which informs her writing and filmmaking. After directing her first student film in 2016 through the Galway Film Centre, Sarah went on to study screenwriting at The New School in New York. In 2017 her feature script The Keeper was selected as a finalist for Best Inception and Best Overall Script at the Oaxaca Film Festival. Sarah’s short screenplay The Bridge was chosen for the 2018 GFC/RTE Short Film Commission and under the direction of Mark Smyth, the short premiered earlier this month at Galway Film Fleadh. The film tells the story of Cormac who after the sudden death of his parents must choose between returning to his home village in the west of Ireland to care for his estranged younger brother, and a bright future in Canada. She is a recipient of the New Writing Development Loan 2018 from Screen Ireland. Also in July, the iffy Short Film Festival screened Somebody, Somewhere, Who Looks After Critters,  Sarah’s debut documentary short which focuses on the life of Alex Scade runs a one man animal sanctuary from his self-built cabin on the edge of the Beara peninsula in the southwest of Ireland. Film In Dublin spoke with Sarah to talk screenwriting, directing and the Jurassic Park vibes of emus. Read more…

On Saturday 29th June, pianist Máire Carroll will be bringing her piano along to the Light House Cinema for a one night only musical event, “Reimagining the Movies“. An extensive performer worldwide and a winner of  numerous awards including the 2018 RDS Collins Memorial Prize, 2015 Tilestyle Artist Bursary and the 2012 RDS Music Bursary, Carroll will be performing some of her iconic film scores by some of cinema’s most loved composers alongside a number of guests, along with the premiere of her latest composition specially composed for the evening.

Ahead of her performance on Saturday, Film In Dublin spoke with the musician about the power of music on screen, her work and influences and more.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

Hazardous Materials is a short film that looks at anxiety completely visually, without spoken dialogue, in an effort to convey something of the main character’s perspective on the world. Nora has trouble talking to anyone, and is scraping by day to day avoiding contact with people, while Rachel, a well meaning co-worker, wants to bring her out of her shell. When Rachel invites Nora to a house party – how will Nora react? The short has had considerable success at screenings so far, including a UK Premiere for World Mental Health Day and showings at 5 festivals/competitions to date.

Galway-based director Brian O’Brien has directed a number of shorts, but Hazardous Materials marks an impressive step forward for the developing director. Film In Dublin spoke to Brian for the direct line on his work.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.


Short film The Observer Effect is a dark thriller with vivid imagery, telling the story of a man and a woman with a mysterious connection whose paths, when crossed, are destined to lead to a violent end. An impressive debut from director Garret Walsh, with an immersive feeling of dread and remarkable production design, the short has had considerable success on the film festival circuit, showing at the likes of the Richard Harris International Film Festival, the Silk Road Film Festival and more, picking up award nominations and wins along the way.

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Kate Dolan is one of the fastest rising directors working in Ireland at the moment. The last year in particular has seen Kate’s 2017 horror short Catcalls feature at numerous festivals both at Ireland and abroad, including Women in Horror Month, Fantasia, GAZE, Frightfest and more. Kate has also contributed to the rising profile of Irish bands like Bitch Falcon and Pillow Queens through her music video, and is one of the filmmakers chosen by Screen Ireland to take part in their inaugural POV scheme, supporting the development and production of low-budget live action feature films from female Writers and Directors. Kate took a break from writing to talk with Film In Dublin, looking back at the last year and her work, and looking ahead at what’s to come.

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Blogger, podcaster, author, Darren Mooney is one of the hardest working names in the Irish critical community. A long-time writer on award-winning the m0vie blog, his one-stop shop for all things pop culture, Darren also contributes regularly to the Irish film monthly magazine CinÉireann and curates both the Scannain podcast and The 250, where he and Andrew Quinn look at IMDB’s list of the top 250 films of all time. (Full Disclosure: This writer has appeared on both podcasts.) Darren has recently published his latest book, Christopher Nolan – A Critical Study of the Films, a history covers Nolan’s complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur. Film In Dublin caught up with Darren to talk about his movie memories, influences as a writer, and experiences in the toxic waters of online backlashes.

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Next week, Irish indie film For Molly comes to select screens across the country, including in Movies@Swords, Movies@Dundrum and Omniplex Rathmines in Dublin. Directed by Cathal Kenna (Coming Home), For Molly tells the story of a young Irish couple ‘Evan and Laura’, engaged to be married and preparing for the arrival of their first child ‘Molly’ when a shock cancer diagnosis arrives out of the blue to Evan. Uncertain about the future Evan starts recording a series of home movie messages for Molly in an attempt to offer some helpful fatherly advice and a document of who he is for Molly when she is older. The home movie recordings unintentionally end up capturing the emotional rollercoaster Evan and Laura go through as they come to terms with their predicament and events build towards a climax.

The writer of For Molly as well as the film’s lead Evan, Kieran O’Reilly arrived onto the acting scene in 2013 with a critically acclaimed performance in Ireland’s television crime drama, Love/Hate (2010). He was nominated for the ‘Discovery Award’ at the Dublin International Film Festival 2016 and is also known for Vikings (2013) and is the singer/songwriter of the Irish alternative band, Hail The Ghost. Playing Evan’s partner Laura, Maura Foley is known for her work on P.S. I Love You (2007), Truth (2013), Love/Hate (2013), Cardboard Gangsters (2016), Storage (2016) and Acceptable Risk (2017). She currently voices the lead character in award winning children’s animation show Brain Freeze for the BBC. In addition to editing, Dave Thorpe has credits as a director and writer across numerous Irish productions.

We recently chatted with Kieran, Maura and Dave about For Molly, taking on new creative roles, and a possible alternative title for their film.

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For a number of years, Leitrim-based director Sean Clancy has built up his reputation, working on a number of music videos and short films, including the award-winning Cavalier. His first feature film, Locus of Control, tells the story of a struggling stand-up comedian Andrew Egan who is forced to take a teaching job helping the unemployed re-enter the workforce. As Andrew grows accustomed to the droll institution and its occupants he suspects that one of the students is out to get him and that the previous teacher may not have left of his own accord. His life slowly unravels and both Andrew’s lessons and stand-up gigs fall on deaf ears and he finds himself trapped in a larger cosmic joke. The film was shown last month as one of the Irish features at the Silk Road Film Festival, and this Thursday will be the opening feature of the second Dublin Sci-Fi Film Festival. Ahead of that screening of the film, written, directed and edited by Clancy, Film In Dublin caught up with the up and coming Irish director.

 

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The New Music is a film that looks at a little know medical condition, as well as the struggle to readjust your life when things don’t turn out the way you initially planned. The film tells the story of Adrian, a classical pianist with extraordinary talent, who discovers he has Young Onset Parkinson’s, a rare form of Parkinson’s Disease affecting sufferers under fifty. Despite this debilitating condition, Adrian joins a punk band as a keyboard player and rediscovers his life through music and love.

The shooting of the film has now concluded, with a crowd-funding campaign underway to ensure the film’s release and raise funds for Young Parkinson’s Ireland. Film In Dublin spoke with the film’s director Chiara Viale, as well as actor Cilléin McEvoy about the film and their efforts to see it released.

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This January, the first Dublin Smartphone Film Festival took place at the Generator Hostel in Smithfield, a weekend showcasing the possibilities of smartphone filmmaking. With experienced hands like Steven Soderbergh experimenting with the format, its prominence is only growing, but a new generation of directors are taking up their phones and the opportunities accessible tech is affording them to create films of their own. Two such emerging talents are Matthew Roche and Elliot Milofsky, independent Irish film-makers currently studying Philosophy in Dublin. As part of ‘Extra Extra’, the pair just finished their latest short film Lady Luck, a submission for the Moment Invitational Film Festival. Their last short film Far won “Best Irish Film” at the Dublin Smartphone Film Festival and even since then the pair have been directing more shorts, all completed only with a smartphone. Film In Dublin spoke with the pair about their efforts in filmmaking and in getting others to realise the potential of the phones in their pockets.

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