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It has been a year. In 2017 there was a lot for film fans to contemplate, but in what they say on the screen and in the wider film business. Month after month, entertaining, challenging and interesting films found their way onto Irish screens, either from Hollywood or any number of our own talented Irish directors. It was a year where the sickeningly pervasive culture of abuse in cinema was thrust into the headlines by brave survivors no longer willing to suffer in silence. It was also a year in great filmmaking, where talented, diverse directors were given the opportunity to show their talent, several for the first time, where performances transported us just as believably to the far-off future, the underprivileged, overlooked present and even outside the fluid realm of time altogether. This is Film In Dublin’s list of the best films of 2017, the films that moved us, entertained us, opened our eyes and otherwise expressed everything that cinema is meant to be, in a year that showed that cinema doesn’t always achieve those lofty ideals behind the scenes.

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Although the craggy Yorkshire landscape could easily have dominated this film, instead it provides an excellent backdrop to the delicate human story at play. God’s Own Country tells the story of Johnny Saxby, a man who exploits his position on an isolated country farm to impose emotional distance on everyone he meets. Until Gheorghe, a Romanian migrant worker, comes to help out during lambing season.

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The GAZE LGBT Film Festival has been highlighting LGBT cinema since 1992, building a reputation as one of the biggest LGBT events in the country. This August, the festival celebrates its 25th anniversary, with the 2017 edition announced on Thursday night at a launch party hosted by the festival’s lead sponsor Accenture, with special guests including director John Butler on hand to mark the occasion.

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