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A live-to-film celebration tour of La La Land has been announced, with the not-quite-Best Picture touring at concert halls in the United States, Mexico and Europe. The film will be coming to the Bord Gáis Energy Theatre with live musical accompaniment later this year.

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February 14th can really go either way in the hearts and minds of the public. Generally speaking, either Valentine’s Day is a harmless, fun event on the calendar, or you’re single. But whether you want to ease into the mood with your s.o. on date night or are trying to stubbornly ignore your utter loneliness, the Light House Cinema is looking to sort you out, with a chance to spend Valentine’s with Ryan Gosling. Watching his movies that is.

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Director: Damien Chazelle Starring: Ryan Gosling, Emma Stone Running Time: 128 minutes


 

Having been subjected to months of hype and subsequently inevitable backlash, it has been almost impossible to go into La La Land without expectations being shaped one way or another. Is it truly the greatest thing since sliced bread, is it a musical for people who don’t like musicals, does it deserve the onslaught of accolades or is it merely the dreaded “Oscar Bait”, to be forgotten as soon as everyone files out of the Dolby Theatre on February 26th? That label and the associations that go with it, that La La Land is deliberately designed at every level to take home Academy Awards, are cynical accusations to make, but we live in cynical times. That is what makes La La Land such an appealing throwback, an abandonment of reality that shows its beautiful stars pursuing and achieving their dreams in the brightest light possible. There’s not much of our real world in struggling actress Mia’s massive apartment decked in classic film posters, or on the various, impossibly romantic dates she shares with jazz fanatic Sebastian. Reality is the antagonist of La La Land, right from the opening where dozens and dozens of motorists abandon an LA gridlock for a showstopping musical number, through Mia’s numerous, disastrous auditions and Seb’s jazz dogmatism setting him back over and over, reality is what the characters are trying to overcome to find happiness.

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