Different sponsor, same great programming – DIFF, now the Virgin Media Dublin International Film Festival, is back. The programme for the Dublin International Film Festival 2019 was launched in the fair city of film yesterday afternoon and tickets are flying off the shelf for a trove of fantastic films now.
A nation divided? Once thriving cities reduced to ruins? Shambling, brainless monsters praying on the innocent, destroying all hope? It’s not just Brexit, it’s also Redcon-1; a new, independent British zombie action/war film. Having screened in cinemas across the UK, the film is now making its way to Ireland, with some exclusive screenings for zombie fans in the fair city of film.
The Bleeding Pig Film Festival returns for its third edition from Monday 10th to Wednesday 12th September in its usual venue Keelings Pub in Donabate and there are some exciting new changes afoot this year. This year’s edition of the film side of the Donabate cultural event is committed to embracing women in film, with a focus on ‘F-Rated’ films.
The unusually-named but culturally relevant Bleeding Pig Cultural Festival returns for ten days of fun in Donabate this September, which also means that the Bleeding Pig Film Festival is back, bringing it’s own 3 day festival-within-a-festival of short films, with the lineup announced today.
From Boulder to Brown Bag to Mooshku and more, Dublin is a developing hub of animation and every year, the Dublin Animation Film Festival celebrates the best of the format, both Irish and internationally. This October sees the festival return for its 8th edition, and submissions for animators are open now.
Director: Dave Tynan Starring: Emmet Kirwan, Ian Lloyd Anderson, Seana Kerslake, Sarah Greene, Mark O’Halloran Running Time: 95 minutes
At the start of Dublin Oldschool, aspiring DJ Jason Kelly has what might be seen as a rough morning. He wakes up on the streets, is beaten with a stick and has money taken off him by some children, he’s hours late for work and has to leg it from the guards after a drug deal carried out with an amazing lack of subtlety, even for the streets of Dublin. And he loses his phone. If this is meant to show a man down on his luck however, Jason himself certainly doesn’t see it that way. He’s got far bigger things on his mind; the bank holiday weekend is about to start and Jason is gasping for the sesh. Both comparisons to Trainspotting and declarations that they should be avoided are well-worn territory for this film, but there’s a difference in perception between Ewan McGregor’s heroin-loving Renton and Emmet Kirwan’s pill-popping Jason. Renton saw himself as choosing not to choose life, consciously picking the numbing effects of heroin to gloss over the realities of rubbish modern life in Edinburgh. Jason is more in denial about just how much drugs are his life, determined to keep the party going no matter what. That determination to keep the party going keeps things fun, but presents problems too, both for Jason and for Dublin Oldschool in general.
This May, the Cinemagic Film and Television Festival for Young People returns to Dublin from its annual film festival. From May 10th-20th, a bursting schedule featuring 100 events including world cinema screenings, film and television masterclasses, school workshops, Q&As and young critics panels will set out to inspire and motivate young film fans.
Multi award winning actress and Ireland’s own Saoirse Ronan will be presenting her most recent acclaimed film at a special screening in Cineworld this May, in association with the Cinemagic Film Festival. A patron of Cinemagic, Lady Bird herself will be taking part in a Q&A session before showing the film. Just don’t ask what if this is the best version of herself.
Director: David Freyne Starring: Ellen Page, Sam Keeley, Tom Vaughan-Lawlor Running Time: 96 minutes
The Cured picks up where most zombie movies end. Society has reintroduced some degree of normality. Hordes of ravenous undead have stopped terrorising the streets. People are beginning to feel safe in their own homes again. However, as communities begin rebuilding themselves, once infected citizens, now cured of their insatiable appetites, are re-introduced back onto the streets, much to the outrage and disdain of the masses. It is in this setting – the aftermath of the bloodshed – that The Cured chooses to tell its story, a story less concerned with jumping out from behind corners to scare you than it is with burrowing deep within your conscious and challenging you.