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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.


Ross McDonnell is both a photographer and filmmaker, with credits in photography, cinematography and directing on several documentary films. Born in Dublin, Ireland in 1979. As a photographer, his work has been published in The New York Times, Art in America, The Observer, The Washington Post, The Irish Times, Fader magazine and more. A twp-time nominee for Irish Film and Television Awards, his films have screened at festivals around the world, including last year’s Elián, an official selection at the Tribeca Film Festival. A frequent collaborator with Alex Gibney, McDonnell worked on the director’s most recent film, No Stone Unturned – a documentary about a flare up of the violence of the Troubles in Co. Down in 1994, released last November.

 

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.


You may not be familiar with the name Dermot Malone, but chances are you’ve seen some of what the director has done in the last few years. A Dublin-based director of advertisements, in 2014 Dermot founded his own production company Banjoman Films and since then has progressed rapidly, from making free online content, to online advertising, to the short film Runner Up which caught the eye of Lovin Dublin and Joe.ie among others, and lately to ‘No More Nice Car’, the widely seen and discussed Nissan advertisement about bullying, sibling bonds and young girls’ empowerment. And about Micras of course.

 

The likes of Lenny Abrahamson have gone on from making acclaimed adverts to acclaimed feature films, so it will be interesting to watch how Dermot Malone and Banjoman Films continue to develop. In the meantime, Film In Dublin spoke to Dermot to get the Direct Line on the up and coming director.

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