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The Irish Film Institute yesterday announced a pair of programmes that fit perfectly in our paranoid times. This May, the IFI will present ‘Trust No One’, a season of classic political thrillers from around the world. Running alongside that will be ‘Fake Views’, a combined effort with the Science Gallery at Trinity College Dublin.

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It’s a good month for festivals in the fair city of film. With the East Asia Film Festival opening last night at the IFI and the Japanese Film Festival kicking off throughout the country this weekend, the time is perfect to get out of the April showers and into a cinema. Also this month is the return of the Dublin Sci-Fi Film Festival, and last night the festival held a launch party in the Generator Hostel in Smithfield. With the launch complete and the full schedule of films now announced, the second year of one of Dublin’s top film festivals is ready to get underway at the end of the month.

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The 2018 Audi Dublin International Film Festival kicks off tomorrow evening, and among the many high-profile films on shows, the premieres and the long-awaited international success stories are a number of exciting programmes celebrating both the storied past and the exciting future of film. One example of the former will be taking place at the Irish Film Institute this February, showcasing the work of a man who might be Ireland’s most successful and influential export to Hollywood. Even if he’s a name you might not have heard of.

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Journalists. Intrepid crusaders for truth and justice, or cynical slingers of sensationalism and the now-dreaded ‘fake news’? It might be some combination of the two (except of course for self-appointed film critics, whose dedication and value are without question), but the world of journalism has always been of interest to filmmakers, with its capacity for high stakes, morality plays and occasionally, a quickly-escalating news team brawl. All through September into early October, the Light House Cinema will be screening an extensive selection of great films about journalists, news anchors, newspaper men and more in the media, with classics both cult and canonised from some of the biggest names in Western filmmaking. Exploring journalism in all its forms, ‘Hacks’ season is here and we have the full schedule for you to peruse.Read more…

Saturday, September the 16th sees the Irish Film Institute open their doors for one of the most anticipated events of the year in Dublin for cinema fans: The IFI Open Day. With the chance to see some fantastic films for free and the opportunity to see firsthand the work the IFI puts into their mission to ‘Exhibit, Preserve and Educate’ with tours of Paul Markey’s Projection Booth and the Digital Restoration Suite, it’s always something to look forward to and with 2017 being the 25th anniversary of the IFI’s landmark premises in Temple Bar, they’re celebrating with a lineup of films, announced yesterday, that has some real standout cinema.

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70mm showings of Christopher Nolan’s Dunkirk have proven to be very popular at the Irish Film Institute, just one factor in making the historical epic a major hit at the Irish box office. As part of the IFI’s commitment to exhibit, preserve and educate, they’re no strangers to showing films in a variety of formats, with authentic prints of films like The Right Stuff being regular features of IFI programming. The most recently announced example is upcoming screenings of a new 70mm print of David Lean’s classic Lawrence of Arabia, which will be showing at the cinema from Oct 20 – 22. But what exactly is the difference between 70mm and the more modern digital? How do great films go from the booth behind you to the screen in front of you? It’s hardly just a matter of pushing play on a DVD, as the IFI’s projectionist Paul Markey explains. Film In Dublin spoke to Paul about the work that he does, different film formats and more.

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Happenings love of sharing cinema in the great outdoors has brought some great evenings to Dublin film fans in the past, including Sing Street and other Irish favourites around the county for this year’s St. Patrick’s Festival and last year’s Centenary Cinema events for the 1916 anniversary. The most recent edition of Happenings’ Open Air Cinema will offer a unique experience for cinephiles, as they’ll be showing a silent horror classic in Mount Merrion this Saturday.

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This coming Friday is already the last of the month (how on Earth are we already looking into July?) and that means that Grindhouse Dublin will once again be taking a cult classic straight out of a grimy picture house down a 70’s side street in New York and transporting it to the modern day, and the considerably nicer setting of the Light House Cinema. This month, Grindhouse Dublin will be showing one of the all time great martial arts movies, Bruce Lee’s beloved and innovative Enter the Dragon.

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Two legends of cinema are being celebrated throughout June and the start of July at the Light House Cinema as their programme Hepburn Forever screens the work of Audrey and Katharine Hepburn. Two true icons of 20th century Hollywood, the films of the (non-related) Hepburns will be sure to bring a touch of glitz and glamour to the Smithfield cinema, making for one classy way to kick off the summer.

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Like us, you may have become addicted to Mad Max: Fury Road, the visually stunning, brilliantly chaotic action movie that stands as the best of its genre this decade. Perhaps it took hold of you and you resent its absence. Well resent no more, as Fury Road will return to the big screen at the end of April at the Light House Cinema, shiny and chrome. And black.

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