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Director: Greta Gerwig Starring: Saoirse Ronan, Florence Pugh, Emma Watson, Eliza Scanlen, Timothée Chalamet, Laura Dern, Meryl Streep Running Time: 135 minutes

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Not having yet read Louisa May Alcott’s Little Women or seen any of the previous film versions means that it’s difficult in many ways to discuss the latest version by Greta Gerwig’s success as an adaptation. Will those who have read the coming of age story of the March sisters cover to cover dozens of times take issue with characterisations that I wouldn’t spot, or balk at Gerwig’s remixing of the story? Possibly, but even without familiarity it is possible to describe how the film feels and to add by way of ringing endorsement that Gerwig’s take on a book around 150 years old is so fresh and vibrant as to shoot it up to the top of the aul’ “must read list”. It feels like someone who loves a story very deeply gush over all the little details of it to you, feeling for the characters like they’re old friends and filling you in with every bit of their lives, a warm and welcoming time in the cinema.

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Director: Brian Fee Starring: Owen Wilson, Cristela Alonzo, Armie Hammer, Nathan Fillion Running Time: 109 minutes


The Cars franchise has always been an easy punching-bag, even among Pixar enthusiasts. It’s less grown-up friendly than other Disney/Pixar films, it’s more commercial, it’s character designs aren’t great, it gives a prominent role to “Larry the Cable Guy”, etc. But as the Fast & Furious sequels have shown, it’s never too late for audiences to turn around on a series, even if it’s a shallow series about cars that go fast. Cars has always been a hit with the kids, but can it entertain the adults as well? The latest entry doesn’t offer anything too deep or emotional or original, but it’s simple fun that provides a nice message, a few laughs and not too much Larry the Cable Guy.

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Director: Ben Affleck Starring: Ben Affleck, Sienna Miller, Chris Messina, Brendan Gleeson, Zoe Saldana, Chris Cooper, Elle Fanning Running Time: 129 minutes


They say that time camps all classics. Nobody actually says that, but perhaps they should of films like Live by Night, a gangster film written by, directed by and starring Ben Affleck that may gather a few chuckles at its ludicrous pulpishness a few years down the line, but for now stands only as an irritating vanity project. Affleck is clearly enamoured with his main character, a Boston thief drawn reluctantly into the war between Irish and Italian mobs during the American Prohibition. So enamoured in fact, that he avoids challenging him or questioning him at every turn, leaving him to murmer gravelly in relative peace. Beware of spoilers, as if watching Live by Night won’t spoil your evening on its own, but Affleck tells the classic gangster tale of a good man who starts the film insisting he won’t be morally compromised by being drawn into a life of crime, but ends the film…building a shelter for women and children and playing on the beach with his son. Just like The Godfather?

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The calendar for film festivals in Dublin continues to get more packed, with the first Dublin Workers Film Festival just three weeks away. The festival will be hosted at 27 Pearse Street in Dublin on Saturday October 1st, with three films being shown celebrating and displaying the lives of workers. With the recent strikes by Luas and Dublin Bus drivers bringing worker’s rights into the public debate again, it’s an apt time for the festival to make its debut and although the festival’s programme is small, they are three films that should be of interest to those who like their films to address serious issues affecting working people.

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