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Sometimes you go to the Light House Cinema for well-curated programmes and the chance to celebrate the classics all over again . Sometimes you go for the great film festivals hosted there, showcasing diverse international cinema. And sometimes you go cos you wanna see big ol’ sharks chomp down on some fools on the big screen. If that third group includes you, you’ll be swarming to the Smithfield cinema next week like a shark that’s smelled blood in the water.

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Director: Christopher McQuarrie Starring: Tom Cruise, Henry Cavill, Rebecca Ferguson, Ving Rhames, Simon Pegg, Sean Harris, Vanessa Kirby, Angela Bassett, Alec Baldwin Running Time: 147 minutes


A preface: When Tom Cruise found out that a member of the Spielberg family was seeing a psychiatrist, he had faithful Scientologist acolytes, who hate psychiatry, picket the doctor at their home. Scientologists assigned the actress (and member) Nazanin Boniadi to be Cruise’s new girlfriend post Penelope Cruz, pre-Katie Holmes, dumped her for a perceived sleight to Scientology honcho David Miscavige and when Boniadi expressed her disappointment, the church punished her with months of menial labour, digging ditches and cleaning toilets with a toothbrush. He publicly criticised Brooke Shields for using anti-depressants when she had post-partum depression. He had Nicole Kidman’s phone tapped, and after divorcing Kidman (whom Scientology never approved of because her father was a well-known psychologist back in Australia), Cruise turned their two children against her with the help of the church, to the point that they now call her a ‘Suppressive Person’ and Kidman doesn’t count the two when thanking her children in speeches…it’s just worth keeping in mind sometimes that Cruise is a highly-wound maniac in deep with a cult that manipulates and abuses members and neglects children, before launching into effuse praise of his work. It might well be the intense ethic that Scientology has developed in Cruise, or his eagerness to have people forget his off-putting mid-00s energy, that sees him so heavily devoted to making the Mission: Impossible series go from strength-to-stength as one of Hollywood’s most innovative action franchise. The latest installment Fallout, breaks new ground for the series, pushing it to the most berserk heights yet. Really berserk.

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Directors: Anthony and Joe Russo Starring: Everybody. Running Time: 149 minutes


Ten years ago now, there was an idea. To bring together a group of remarkable characters and see if they could become something more. There was a time, unbelievable as it is now, that having a ‘shared universe’ of various franchises seemed like a massive risk rather than the movie studio holy grail. A time when people wondered how the first Avengers film was possibly going to manage a story with six superheroes. Infinity War has twenty. Plus sidekicks and supporting cast members, absentee Avengers, love interests, a few surprise appearances, the army of an entire country, and a new mass of villains. And Stan Lee. The Universe has grown and grown, developing an enormous, enamoured audience along with it. Marvel know they have most every blockbuster-loving film fan in the palm of their hands at this point, so to keep them captivated, what’s the best thing they can do at this point? Make a fist. Or snap their fingers.

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Once a year, Dublin’s Cineworld showcases its centrepiece: its IMAX theater, with the ‘IMAX Film Festival‘. The selection of blockbusters, well suited to the biggest of big screens, is coming back this March, offering films fans the chance to see some popular blockbusters of the past year once again.

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Dunkirk is one of those films that sets very high stakes for itself before the trailers are even released. Christopher Nolan took a risk tackling a subject that is still holds significance in the collective memory of so many. That said, the technical brilliance of the film is clear from poster to trailer to the film’s opening moments, so it’s to be expected that the Film In Dublin team would all end up watching Dunkirk on the big screen. We found that our opinions varied from Luke’s “all-out immersive assault on the senses” to “spectacle over emotion” and so we decided to collect some of our team’s reactions to one of the summer’s biggest films. Nolan has always been a divisive director and reactions to Dunkirk have been no different, so check out what our writers had to say.

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Director: Jon Watts Starring: Tom Holland, Michael Keaton, Marisa Tomei, Robert Downey Jr Running Time: 133 minutes


In recent years, the behind the scenes efforts of non-Marvel studios attempts to make films with Marvel characters could make compelling movie material all on its own. Specifically, comedy-of-errors movies. The chaos reportedly caused during the awful 2015 reboot of Fantastic Four by director Josh Trank (and his little dogs too) is one example. The leaked e-mail fiasco showing out-of-touch exec’s attempts to make an EDM-loving, humble-bragging hero that’s down with the kids for the ill-fated, ever spin-off proposing Amazing Spider-Man series is another. The lack of financial success made by the Andrew Garfield and Emma Stone-starring Spidey movies led to an “if you can’t beat them, join them” rethink and Sony drafted in Marvel Studios to help produce a reboot, with Sony retaining film distribution rights and Marvel masters Disney controlling merchandising rights. After a popular cameo in last year’s Captain America Civil War, Spider-Man: Homecoming sees Marvel’s most beloved comics character take centre-stage once again. From the orchestral arrangement of the classic 60’s Spider-Man cartoon theme that opens this film onwards, the effort to bring the character (or more cynically, the IP) back to its roots is clear. This is a younger, more innocent Spider-Man, and the film is refreshing for that, even while the creative constraints of being part of the MCU never go away.

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Director: Edgar Wright Starring: Ansel Elgort, Kevin Spacey, Jon Hamm, Eiza González, Lily James Running Time: 113 minutes

In recent years, trailers have somehow nearly overtaken films in terms of their quality. We spend months looking forward to the big summer movies, assuming that with all the money pumped into them we’re in for something new and exciting, only to have it all come crashing down when we are served with overproduced CGI crap that sees us leaving the cinema cold. But then came Baby Driver.

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Director: Alex Kurtzman Starring: Tom Cruise, Sofia Boutella, Annabelle Wallis, Russell Crowe, Jake Johnson Running Time: 107 minutes


The scariest moment in The Mummy comes before its titular monster even shows up onscreen. After the Universal fanfare stops and their globe has faded from view, the title card of the “Dark Universe” appears on screen, signifying The Mummy’s status as the first entry in yet another interconnected series of blockbusters. The repurposing of Universal’s classic monster movies into identikit action flicks to be packaged off to the international market looks like a particularly desperate attempt from the studio to get a slice of Marvel’s pie, and that Dark Universe logo and its confirmation that they are going all in on this may not be the kind of fright to provoke nightmares, but it certainly might lead to a few headaches before going to bed.

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Director: Patty Jenkins Starring: Gal Gadot, Chris Pine, David Thewlis, Danny Huston, Robin Wright, Connie Nielson, Elena Anaya  Running Time: 141 minutes


It seems bizarre that a character with the history and popularity of Wonder Woman would have to wait some 75 years before getting her own feature film. One of the arguments that would come up a lot as to why that is, in some comics circles at least, is that Wonder Woman is a “difficult” character to get right, with her unusual origin, grab-bag elements, lack of memorable villains etc, etc. But the Wonder Woman movie shows that in the right hands, the hands of a woman director with freedom and a vision for what she wants the character to represent, it doesn’t have to be difficult at all. In fact, it finds the DC approach of its characters as mythic icons much easier than previous entries to the stuttering ‘expanded universe’ so far. As it turns out, calling your superheroes gods is much less eyeroll-worthy when they’re literally gods, and what helps Wonder Woman stand out among the legions and legions of superhero properties is that it taps into what makes its character iconic and inspirational.

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Director: Seth Gordon Starring: Dwayne Johnson, Zac Efron, Priyanka Chopra, Alexandra Daddario, Kelly Rohrbach Running Time: 119 minutes


After a near-totally negative reaction from critics to his latest film, Baywatch lead Dwayne Johnson took to Twitter to insist that “the fans’ love the movie” and that it was made for them anyway, not the critics. It is entirely possible that Baywatch fans wouldn’t set the bar too high. They did after all keep the television series on the air for 11(!) years, ogling heaving chests as inane plots about diamond smuggling surfers or other such sub-airport novel cheese sailed by mostly unnoticed. A few laughs, some beautiful people and a heavy dose of cheese would probably be enough, but Baywatch‘s biggest problem is how often it loses sight of its own stupidity, somehow buying into itself as though its stories about teamwork, overcoming selfishness and thwarting corrupt beachside property developers are actually compelling. Just like Dwayne Johnson tackles bad reviews with all the emojis, exclamation marks and critic-bashing of someone who unconvincingly insists that they aren’t mad at all, Baywatch isn’t as in on the joke as it wants you to believe it is.

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