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Director: Wanuri Kahiu Starring: Samantha Mugatsia, Sheila Munyiva Running Time: 82 minutes


One of 2018’s more underseen and personable films in a collection of new romantic comedies was Love Simon , a queer teen romance that managed to jog where other films had once walked, allowing itself to focus funly, freely and  matter-of-factly on the romance of its gay lead in a setting where other obstacles where pointedly settled. Wanuri Kahiu’s story of queer African adolescence deserves plenty of props for following in that vein as much as it can, focusing on the falling stage of two young Kenyan girls’ romance in spite of and beyond the very real national contextRafiki is a delicate but vibrant love story, a smile that can’t help breaking out.

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After tape traders in Nigeria decided to start shooting their own movies on (relatively cheap) videotape to keep their store shelves full, the output of the Nigerian film industry exploded. ‘Nollywood’ as it has been called is now second only to India in the number of films it puts out every year, ahead of even Hollywood, which simple can’t reboot Spider-Man often enough to match the amount of films Nigeria puts out every year. For Westerners, the volume of ‘Nollywood’ is one of the only things known about it, and as the industry continues to develop in Nigeria, it will be worth observing trends there and how they compare and contrast with those of America, or of our own film industry. The closing film of last weekend’s Feminist Film Festival Dublin, short documentary Amaka’s Kin: The Women of Nollywood provides one inportant perspective of Nigerian cinema, focusing on women working behind the camera in one of the world’s biggest hubs of film.

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