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Director: Sean Baker  Starring: Brooklyn Prince, Bria Vinaite, Willem Dafoe, Christopher Rivera, Caleb Landry Jones  Runtime: 115 Minutes

For decades, Disney World Florida has served as a cornerstone of childhoods and imaginations across the globe. Every year millions of visitors flood its ticket booths in search of the infamous “magic” that Disney has to offer. Within the park’s walls, guests are welcomed to a world unlike their own: castles stretch to dizzying heights, magnificent firework displays light up the night sky, and fairytales come to life before your very eyes.

Beyond its boundaries, however, the same magic and wonder is harder to find. In the theme park’s shadows, strip malls, run-down hotels and sun-drenched swampland stretch for miles. The families in the encompassing areas struggle to hold onto what little they have. It is in this economic wasteland that the modern face of homelessness shows itself. Families move desperately from hotel to hotel in search of permanent accommodation. Rising rents determine what little luxuries they can afford. Jobs are hard to come by.

It is this world, however, that 6-year old Moonee and her friends embrace as their own private wonderland. On the margins of Disneyland and, indeed, of life, the young children search for magic around every corner, oblivious to the harsh reality of their circumstances.

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Director: Trey Edward Shults Starring: Joel Edgerton, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr., Riley Keough Running Time: 91 minutes


Shotguns getting cocked. Barking dogs. Barricaded houses. Cagey, distrustful men with southern accents. Fear of the dying and their blood and their viscera. Hiding infections. Arguments. Us or them. Shotguns getting shot.

It Comes at Night is not a film about zombies, but it’s undoubtedly a film that knows that its audience is familiar with zombie tropes, and that they can use them to follow the film’s path even as it obscures everything in darkness. When you’re as sick as the delirious, sore-covered grandfather who’s shown as this film opens, it’s immediately clear that a mercy kill is not too far away. When the environment is as tense and uncertain as what the audience sees here; a family of (recently) three hiding out in the woods after a contagious disease has ravaged the world, viewers know that almost always, human nature ends up being more dangerous than the literal threat. The last thing this equation needs is more people in it. So in, inevitably, they come.

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