The fifth event of its kind in Ireland, the Dublin Arabic Film Festival 2019 will take place at the Irish Film Institute and the Chester Beatty Library from the 4 – 6th of October. Sine the Omar Sharif visited the first edition of the festival in 2014, DAFF has presented some of the finest features that the Arab world has to offer to the fair city of film, and this year with festival director Zahara Moufid at the helm and Oscar nominated movie producer Jim Sheridan again serving as Festival President, it’s looking like a promising season of Arab cinema ahead.
Director: Lorene Scafaria Starring: Jennifer Lopez, Constance Wu, Julia Stiles, Keke Palmer, Lili Reinhart Running Time: 110 minutes
The strip club is a common port of call in the crime film, but it’s more typically shown as a treat for the men doing the crime. It’s a backdrop for partying during ‘the good times’, a sign of a movie crook’s dollar-raining hubris and sleaze. It’s shown as a place for men to flex their power, exude their control, revel in their success at playing the game. Be they mafia men or white-collar creeps, a movie may tut or titillate with them as they celebrate their ill-gotten gains surrounded by faceless, lifeless dancing girls. Based on the article The Hustlers at Scores by Jessica Pressler, Lorene Scafaria’s Hustlers shifts the focus to the strippers themselves, removing the male gaze and revealing the complex, insightful and engaging characters underneath, while showing up their marks as the “mostly rich, (usually) disgusting, (in their minds) pathetic men” in the process. In the cut-throat world of capitalism, it’s hustlers all the way up, or as Jennifer Lopez bluntly but perfectly puts it; “It’s all a strip club. You have people tossing the money and people doing the dance”.
As culture in our fair city of film continues to recede, bulldozed aside by the careless and artless to stick up a few more hotels, it is more important than ever to encourage those who share art for art’s own sake. Those who genuinely embrace the wonderful, the wild and the weird of cinema, rather than simply Press Up against it….
Cabaret Noise introduced themselves during the summer with their efforts to bring “cinemas greatest and most forgotten oddities” to venues and locations around Dublin and they will be returning in the weeks and months ahead with their second series, THE HARVEST BLOOD MOON, a selection of horror films about seasonal change that are set to take place at The Darkroom this autumn and winter, with admissions free of charge (and donations welcome).
For the last few years the Bleeding Pig Film Festival has a passion for bringing independent film to the local community. The main focus is on Irish short film, with the odd international twist thrown in also. Since starting on 2016, the Bleeding Pig Film Festival has showcased some of the best talent in the local Fingal area to, as well as more well known and award winning films, sharing a diverse, creative voice with the audience. Through Q&As and the intimacy provided by its traditional setting of Keeling’s in Donabate, it aims to bridge the gap between filmmaker and film fan in the fair city of film. Next month, the festival returns, with a prominent Irish feature added to the ranks of its shorts.
The full programme for the 17th edition of the Irish Film Institute’s Documentary Festival has been announced. With fifteen features, including 10 Irish premieres, and the always insightful and keenly awaited Irish shorts programme, the IFI Documentary Festival 2019 looks set to continue a great year of Irish and international documentary being showcased in the fair city of film.
As if the attractions at the GAZE LGBT Film Festival this or any year could be limited to a mere five standouts! Still, as one of the standout annual events in the fair city of film, both as a consistently excellent programme of cinema and as one the country’s biggest LGBT gatherings outside of Dublin Pride, GAZE generates considerable excitement every summer and it’s worth looking at why. The mood of film fans is buzzing nicely ahead of GAZE 2019’s Opening Gala taking place tonight, a sold-out screening at the Light House Cinema of the documentary Deep In Vogue. You can get an overview of this year’s programme here, but with so much to choose from in the five days of film ahead, we look at five reasons why you must get yourselves into the screens for GAZE 2019.
Screenwriter and director Sarah Ingersoll has got a fair bit of miles in while learning her craft. A graduate of The Glasgow School of Art, Sarah’s has a background in visual art and photography which informs her writing and filmmaking. After directing her first student film in 2016 through the Galway Film Centre, Sarah went on to study screenwriting at The New School in New York. In 2017 her feature script The Keeper was selected as a finalist for Best Inception and Best Overall Script at the Oaxaca Film Festival. Sarah’s short screenplay The Bridge was chosen for the 2018 GFC/RTE Short Film Commission and under the direction of Mark Smyth, the short premiered earlier this month at Galway Film Fleadh. The film tells the story of Cormac who after the sudden death of his parents must choose between returning to his home village in the west of Ireland to care for his estranged younger brother, and a bright future in Canada. She is a recipient of the New Writing Development Loan 2018 from Screen Ireland. Also in July, the iffy Short Film Festival screened Somebody, Somewhere, Who Looks After Critters, Sarah’s debut documentary short which focuses on the life of Alex Scade runs a one man animal sanctuary from his self-built cabin on the edge of the Beara peninsula in the southwest of Ireland. Film In Dublin spoke with Sarah to talk screenwriting, directing and the Jurassic Park vibes of emus. Read more…