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With just 10 days to go until the Referendum on the regulation of termination of pregnancy, it is a vital time to provide information that is honest, both factually and emotionally, to the public. One of a number in the Irish film community making efforts in this regard is Karl Callan, whose short film, simply titled  Repeal aims to tell the stories of women for whom the repealing of the 8th amendment is vital.

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For decades, Nick Cave has kept up an impressive juggling act of many creative talents. The Aussie has won plaudits as a songwriter, a screenwriter, atop live performer, and a unique vocalist – but above all the Bad Seeds frontman is considered a storyteller, and his skills as a storyteller will be celebrated at the Light House Cinema this June.

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On June 27th 2003, the career of aspiring actor Greg Sestero was changed forever with the release of The Room. The bizarre, terrible but captivating film, the So Bad It’s Good cult classic to rule them all, made improbable stars out of Greg and his co-star, director, friend and former roommate, Tommy Wiseau, with the pair frequenting screenings in LA and around the world. Years later, Greg wrote the tell-all book The Disaster Artist with Tom Bissell, and found himself on the N.Y. Times Best Sellers list. His book was a funny, fascinating and poignant look at a crazy story and the friendship behind it, proving to be strong enough to be adapted into a film that raised Greg and Tommy’s profiles higher than ever. More recently Greg turned to writing a screenplay, resulting in Best F(r)iends, described as “a two-volume cinematic ‘saga’ that promises to interweave mystery, intrigue, and more than a few dark laughs”. Before screening he and Tommy’s latest film at the Light House Cinema this past weekend, Greg spoke with Film In Dublin about some of his Movie Memories, his experiences as a writer and of course, about Tommy Wiseau.

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This May, the Cinemagic Film and Television Festival for Young People returns to Dublin from its annual film festival. From May 10th-20th, a bursting schedule featuring 100 events including world cinema screenings, film and television masterclasses, school workshops, Q&As and young critics panels will set out to inspire and motivate young film fans.

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A series of classic road movies will be showing in Smithfield over the next week, as the Light House Cinema celebrates the arrival of the Road House Cinema to Smithfield Square.

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Directors: Anthony and Joe Russo Starring: Everybody. Running Time: 149 minutes


Ten years ago now, there was an idea. To bring together a group of remarkable characters and see if they could become something more. There was a time, unbelievable as it is now, that having a ‘shared universe’ of various franchises seemed like a massive risk rather than the movie studio holy grail. A time when people wondered how the first Avengers film was possibly going to manage a story with six superheroes. Infinity War has twenty. Plus sidekicks and supporting cast members, absentee Avengers, love interests, a few surprise appearances, the army of an entire country, and a new mass of villains. And Stan Lee. The Universe has grown and grown, developing an enormous, enamoured audience along with it. Marvel know they have most every blockbuster-loving film fan in the palm of their hands at this point, so to keep them captivated, what’s the best thing they can do at this point? Make a fist. Or snap their fingers.

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For a number of years, Leitrim-based director Sean Clancy has built up his reputation, working on a number of music videos and short films, including the award-winning Cavalier. His first feature film, Locus of Control, tells the story of a struggling stand-up comedian Andrew Egan who is forced to take a teaching job helping the unemployed re-enter the workforce. As Andrew grows accustomed to the droll institution and its occupants he suspects that one of the students is out to get him and that the previous teacher may not have left of his own accord. His life slowly unravels and both Andrew’s lessons and stand-up gigs fall on deaf ears and he finds himself trapped in a larger cosmic joke. The film was shown last month as one of the Irish features at the Silk Road Film Festival, and this Thursday will be the opening feature of the second Dublin Sci-Fi Film Festival. Ahead of that screening of the film, written, directed and edited by Clancy, Film In Dublin caught up with the up and coming Irish director.

 

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The Irish Film Institute yesterday announced a pair of programmes that fit perfectly in our paranoid times. This May, the IFI will present ‘Trust No One’, a season of classic political thrillers from around the world. Running alongside that will be ‘Fake Views’, a combined effort with the Science Gallery at Trinity College Dublin.

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