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Screenwriter and director Sarah Ingersoll has got a fair bit of miles in while learning her craft. A graduate of The Glasgow School of Art, Sarah’s has a background in visual art and photography which informs her writing and filmmaking. After directing her first student film in 2016 through the Galway Film Centre, Sarah went on to study screenwriting at The New School in New York. In 2017 her feature script The Keeper was selected as a finalist for Best Inception and Best Overall Script at the Oaxaca Film Festival. Sarah’s short screenplay The Bridge was chosen for the 2018 GFC/RTE Short Film Commission and under the direction of Mark Smyth, the short premiered earlier this month at Galway Film Fleadh. The film tells the story of Cormac who after the sudden death of his parents must choose between returning to his home village in the west of Ireland to care for his estranged younger brother, and a bright future in Canada. She is a recipient of the New Writing Development Loan 2018 from Screen Ireland. Also in July, the iffy Short Film Festival screened Somebody, Somewhere, Who Looks After Critters,  Sarah’s debut documentary short which focuses on the life of Alex Scade runs a one man animal sanctuary from his self-built cabin on the edge of the Beara peninsula in the southwest of Ireland. Film In Dublin spoke with Sarah to talk screenwriting, directing and the Jurassic Park vibes of emus. Read more…

Irish filmmaker Ger Duffy will curate a selection of short films at the Stella Theatre this August in aid of Inner City Helping Homeless Dublin. Two screenings of nine Irish shorts will take place on August 24th, with all proceeds going to the ICHH.

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The Lighthouse Cinema in Smithfield will be hosting the Dublin Feminist Film Festival again, from the 22nd to the 24th of August 2019.

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Introducing…The Breakout Role Podcast!

Cinema-mad siblings Jess and Luke play judge, jury and executioner as they look back at the breakout, first leading roles of Hollywood Icons. From stunning debuts to the secrets actors thought long since buried, they decide were these first stabs at stardom worthy of a breakout, or were they more of a fakeout?

In the first official episode of The Breakout Role Podcast, it’s #NicCageBreakout, taking in Nicolas Cage’s debut in the 1983 teen romcom, Valley Girl!

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Directed by: Gary Dauberman Starring: Mckenna Grace, Vera Farmiga, Patrick Wilson Runtime: 106 minutes

In light of the success achieved by James Wan’s The Conjuring in 2013, something interesting happened in the horror genre. The traditional horror franchise was reinvigorated with a sexy contemporary touch. What became known as The Conjuring universe was formed. Invoking the trend of the Marvel Universe, the deal worked well for all interested parties.  A fresh look on supernatural tales with a sincere effort that went into character development and that tried to find the balance between jump scare cliches and atmospheric horror. While The Conjuring and its 2016 sequel The Conjuring 2 did well to serve up a feast of scares, a distinct compelling feature was that it also had interpersonal depth. Indeed, it was as much character driven as it was driven by a desire to generate buzz around its refreshing demonic spirits. With characters like The Nun spurring justifiable albeit tepid spin-offs, supernatural investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) are the cohesive glue that bind the Conjuring Universe together. The closer they’ve been to the series in the respective films, the better the films have fared, and with such good onscreen chemistry it’s easy to see why.

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Since graduating from the MET Film School in 2015, Megan K. Fox has been a prolific figure on the directing scene in Ireland. She has picked up awards and accolades for her short films Slow Down (2015), GIRL (2016), Calling Home (2017) and The Shift (2018), with another set for release this year in Cailín Álainn, a bilingual coming-of-age film about a transgender teen, which secured the inaugural Kerry Film Bursary and was shot this year 2019. Since being selected for selected for the RTÉ/Screen Skills Ireland’s New Directors Multi-Camera Training programme for continuing drama, Megan has been working with RTÉ, including earning her first TV credit this year for directing on Fair CityThe Shift, a comedy about young Denise (Fiona Bergin) desperate to get the shift at a Gaeltacht disco, has had continued success at festivals in Ireland and abroad since its release, most recently picking up the ‘little iffy’ award for best short at the July edition of the iffy Short Film Festival.  Film In Dublin caught up with Megan to talk about that success, film festivals, and working with other creatives, including the next generation of aspiring Irish directors.

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Director: Ari Aster Starring: Florence Pugh, Jack Reynor, William Jackson Harper, Will Poulter, Ellora Torchia, Archie Madekwe Runtime: 147 minutes

Watching Midsommar feels like watching someone boil a frog. And no matter how much pretty lighting and composition you use in the process, you can’t help thinking “Why are we boiling this frog?”

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This evening the GAZE Film Festival hosts a sold-out preview screening of Vita & Virginia, but last night saw one of Ireland’s premiere annual festivals launch their 27th programme. Another exceptional line-up of LGBTQ cinema comes to the fair city of film this August. Read more…

On Saturday 29th June, pianist Máire Carroll will be bringing her piano along to the Light House Cinema for a one night only musical event, “Reimagining the Movies“. An extensive performer worldwide and a winner of  numerous awards including the 2018 RDS Collins Memorial Prize, 2015 Tilestyle Artist Bursary and the 2012 RDS Music Bursary, Carroll will be performing some of her iconic film scores by some of cinema’s most loved composers alongside a number of guests, along with the premiere of her latest composition specially composed for the evening.

Ahead of her performance on Saturday, Film In Dublin spoke with the musician about the power of music on screen, her work and influences and more.

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