Cinemagic Film and Television Festival for Young People returns to Dublin this May and June with a programme jam packed full of diverse creative opportunities to inspire and motivate young people. This year will see a number of new exciting elements added to the programme and visits from representatives fromAardman Animations, Brown Bag Films and Cartoon Saloon! A new screening series entitled Talking Pictures will offer the chance to view Irish movies with talks from filmmakers and film professionals involved in the productions. Among the industry names who will take part will be Frank Berry, Carmel Winters, Lee Cronin, Aislinn Clarke, Paddy Breathnach and Andrew and Ryan Tohill. For an even more immersive experience, young people can be part of the first Cinemagic Talent Lab Boot Camp for 16+yr olds and it will include masterclasses, seminars and Q&A’s with film professionals who will provide insight into the industry in a range of disciplines such as Production Management, Assistant Directing, Editing, Camera, Sound, Art Department & Costume, Hair and Makeup and Location Management.
As far as Film In Dublin can recall, Hugh Jackman’s all-singing, all-dancing The Greatest Showman first screened in Dublin at James Joyce’s Volta Electric Theatre on the cinema’s opening day in 1909 and has been available for viewing in the fair city of film at least once a day in the century or so since… Honestly though there is no disputing that Showman has captured the hearts of audiences in a way that few films can these days, as evidenced by its long-running success at the box office. Later this month, the Axis Art Centre and Theatre in Ballymun will be putting a fresh spin on a screening of the beloved musical hit, as a local women’s dance troupe performs alongside the film.
The 2019 edition of the Japanese Film Festival will feature as always a diverse and packed programme of films, including work from some of the most acclaimed filmmakers from contemporary Japanese cinema, and covers a variety of themes, genres and topics. Eagerly anticipated and already well-received films from Japan will be screened throughout. With this year 2019 marks the 11th year of The Embassy of Japan’s collaboration with access>cinema. With the help of various supporters, including the Ireland Japan Association and the Japan Foundation, JFF 2019 is set to bring the very best of Japanese cinema to Irish screens this April.
Formerly the Chinese-Language Film Festival, the East Asia Film Festival Ireland has risen through the ranks of the Dublin cinema scene to become among the highlights of the festival calendar, offering outstanding East Asian cinema on an Irish stage. Classic films, hard-to-access current features and masterclasses from a diverse filmmaking perspective are on offer once again at this year’s festival, which takes place at the Irish Film Institute once again from April 11th until the 14th.
This International Women’s Day, Women in Film Television Ireland and the Irish Film Institute will be presenting a programme of shorts, to highlight and celebrate some of the brightest women directors working in film and television in Ireland today. ‘Brief Encounters: Women in Film and TV Short Film Showcase’ takes place in the IFI this week.
Director: Marie Monge Starring: Stacy Martin, Tahar Rahim Running Time: 105 minutes
It’s common practice for films in France to have very different titles in their native tongue than in the translated English. Marie Monge’s Treat Me Like Fire goes by the more straightforward Joueurs (“Players”) when shown at home, as it was during last year’s Cannes Film Festival. They seem like very different names at a glance but both ultimately have the same energy; Treat Me Like Fire a Lana Del Rey-ven cigarette exhale on the film’s story of burning, fleeting, dangerous romance, while “Players” is more Stevie Nicks to the ears, an indication not just of the film’s gambling content but of the general circumstances under which players will love you.
Director: Wanuri Kahiu Starring: Samantha Mugatsia, Sheila Munyiva Running Time: 82 minutes
One of 2018’s more underseen and personable films in a collection of new romantic comedies was Love Simon , a queer teen romance that managed to jog where other films had once walked, allowing itself to focus funly, freely and matter-of-factly on the romance of its gay lead in a setting where other obstacles where pointedly settled. Wanuri Kahiu’s story of queer African adolescence deserves plenty of props for following in that vein as much as it can, focusing on the falling stage of two young Kenyan girls’ romance in spite of and beyond the very real national context. Rafiki is a delicate but vibrant love story, a smile that can’t help breaking out.