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A series of classic road movies will be showing in Smithfield over the next week, as the Light House Cinema celebrates the arrival of the Road House Cinema to Smithfield Square.

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For a number of years, Leitrim-based director Sean Clancy has built up his reputation, working on a number of music videos and short films, including the award-winning Cavalier. His first feature film, Locus of Control, tells the story of a struggling stand-up comedian Andrew Egan who is forced to take a teaching job helping the unemployed re-enter the workforce. As Andrew grows accustomed to the droll institution and its occupants he suspects that one of the students is out to get him and that the previous teacher may not have left of his own accord. His life slowly unravels and both Andrew’s lessons and stand-up gigs fall on deaf ears and he finds himself trapped in a larger cosmic joke. The film was shown last month as one of the Irish features at the Silk Road Film Festival, and this Thursday will be the opening feature of the second Dublin Sci-Fi Film Festival. Ahead of that screening of the film, written, directed and edited by Clancy, Film In Dublin caught up with the up and coming Irish director.

 

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The Irish Film Institute yesterday announced a pair of programmes that fit perfectly in our paranoid times. This May, the IFI will present ‘Trust No One’, a season of classic political thrillers from around the world. Running alongside that will be ‘Fake Views’, a combined effort with the Science Gallery at Trinity College Dublin.

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Multi award winning actress and Ireland’s own Saoirse Ronan will be presenting her most recent acclaimed film at a special screening in Cineworld this May, in association with the Cinemagic Film Festival. A patron of Cinemagic, Lady Bird herself will be taking part in a Q&A session before showing the film. Just don’t ask what if this is the best version of herself.

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The Japanese Film Festival returns this weekend, bringing top quality Japanese cinema to Irish viewers throughout April. Now in it’s landmark 10th year, the 2018 edition of the festival will feature a diverse and densely packed programme of films, including work from some of the most acclaimed filmmakers from contemporary Japanese cinema. Probably Ireland’s most transnational festival, this year JFF will be hosting screenings at venues in Cork, Galway, Limerick, Tipperary, Sligo, Waterford, Dundalk and of course, Dublin, as part of a concerted effort to spread Japanese cinema and culture to as many Irish eyes as possible. We’ve got the full selection of films showing in the capital this month for you to go through.

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It’s a good month for festivals in the fair city of film. With the East Asia Film Festival opening last night at the IFI and the Japanese Film Festival kicking off throughout the country this weekend, the time is perfect to get out of the April showers and into a cinema. Also this month is the return of the Dublin Sci-Fi Film Festival, and last night the festival held a launch party in the Generator Hostel in Smithfield. With the launch complete and the full schedule of films now announced, the second year of one of Dublin’s top film festivals is ready to get underway at the end of the month.

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Last year’s Chinese-Language Film Festival was another great example of the diverse, compelling international cinema on offer at the Irish Film Institute, as the likes of A Touch of Zen and The Road to Mandalay were given the opportunity to be screened for Irish eyes. The festival returns to the Temple Bar cinema this April under a new name, the East Asia Film Festival. This year the festival offers a fresh masterclass from an acclaimed cinematographer, several Irish premieres and a screening of Wong Kar-wai’s In the Mood for Love, one of the greatest films of the 2000s.

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