Follow Me

Close

Directors: Anthony and Joe Russo Starring: Everybody. Running Time: 149 minutes


Ten years ago now, there was an idea. To bring together a group of remarkable characters and see if they could become something more. There was a time, unbelievable as it is now, that having a ‘shared universe’ of various franchises seemed like a massive risk rather than the movie studio holy grail. A time when people wondered how the first Avengers film was possibly going to manage a story with six superheroes. Infinity War has twenty. Plus sidekicks and supporting cast members, absentee Avengers, love interests, a few surprise appearances, the army of an entire country, and a new mass of villains. And Stan Lee. The Universe has grown and grown, developing an enormous, enamoured audience along with it. Marvel know they have most every blockbuster-loving film fan in the palm of their hands at this point, so to keep them captivated, what’s the best thing they can do at this point? Make a fist. Or snap their fingers.

Read more…

Director: John Krasinski Starring: John Krasinski, Emily Blunt, Millicent Simmonds, Noah Jupe Running Time: 95 minutes


If asked to pick out the director of the next hit horror movie, Jim from The Office doesn’t spring first to mind, particularly considering John Krasinski’s previous directing credits have been a pair of sub-Sundance, sub-Braffian comedy-dramas. Then again, one half of a sketch show comedy troupe making his first film similarly wouldn’t have been pegged for horror greatness, and with Get Out, Jordan Peele subverted that expectation to the tune of $255 million at the box office, a win at the Oscars and the world at his feet. A pleasant surprise, A Quiet Place is smart-scary with a heart, a film built around a simple and effectively-used idea that demands to be seen in a packed cinema.

Read more…

Director: Lynne Ramsay Starring: Joaquin Phoenix, Ekaterina Samsonov, Judith Roberts Running Time: 90 minutes


He has a unique set of skills, but Joe, the driven murder machine of Lynne Ramsay’s stunning thriller You Were Never Really Here, is far from the typical one-man rampage and the film has much more than cheap kill thrills on its mind. Taking a standard grim and gritty action film plot and considering it with depth, melancholy and  honesty, this a film that prompts the question, once you’ve been ‘Taken’, can you ever really come back? And can the heroes tragic backstory truly push him forward or has it long-since pushed him over the edge, not a source of inspiration but a devastating destruction?

Read more…

Director: Andrew Haigh Starring: Charlie Plummer, Steve Buscemi, Travis Fimmel, Chloë Sevigny, Steve Zahn Runtime: 121 Minutes

Lean On Pete is one of those rare films that values authenticity over sentimentality. No Hollywood sheen tints the lens. No overstated points on rural America’s current economic climate are made. No faux sense of understanding for the countryside’s cuts and bruises is offered up. Instead, Lean On Pete uses an understated approach, opting for honest storytelling over cheap mawkishness. The characters that occupy this land and the stories they tell are important to the filmmakers, yet nothing is ever overly dramatic or artificial.

It is here that we are introduced to Charley Thompson (Plummer); a young boy who traverses the blistering Oregon deserts to find his last known relative living thousands of miles away. Accompanying Charley on his journey is Lean On Pete, a failing racehorse who Charley forms a great bond with after securing a summer job in a local stables. Although it seems like a simple story on the outside, Lean On Pete is told with wonderful tenderness, compassion and sincerity, making for one of the most devastatingly beautiful movies of 2018.

Read more…

Established in 1999 by Tomm Moore, Nora Twomey and Paul Young, Kilkenny-based studio Cartoon Saloon has released exactly 3 feature length films. All 3 have received Oscar nominations for Best Animated Feature Film.

If you get the chance to see The Breadwinner, a poignant and uplifting exploration of a young girl’s life growing up under the Taliban in Afghanistan, you’re likely to understand why.

Read more…

Director: David Freyne Starring: Ellen Page, Sam Keeley, Tom Vaughan-Lawlor Running Time: 96 minutes

The Cured picks up where most zombie movies end. Society has reintroduced some degree of normality. Hordes of ravenous undead have stopped terrorising the streets. People are beginning to feel safe in their own homes again. However, as communities begin rebuilding themselves, once infected citizens, now cured of their insatiable appetites, are re-introduced back onto the streets, much to the outrage and disdain of the masses. It is in this setting – the aftermath of the bloodshed – that The Cured chooses to tell its story, a story less concerned with jumping out from behind corners to scare you than it is with burrowing deep within your conscious and challenging you.

Read more…

Director: Lance Daly Starring: Hugo Weaving, James Frecheville, Stephen Rea, Freddy Fox, Barry Keoghan, Moe Dunford, Jim Broadbent Running Time: 96 minutes


For an event that had such a profound impact on the course of Irish history, the great tragedy and injustice from which Ireland’s entire subsequent history as a nation sprang forth from, it’s surprising that the Famine hasn’t found its story told on cinema screens, particularly Irish ones, more often. Director Lance Daly takes that task on in Black 47, last week’s Opening Gala of the 2018 Dublin International Film Festival. His approach is perhaps unexpected considering the subject matter, the film being a roaring rampage of revenge, internalising the anger and injustice of the Famine into one man’s quest for vengeance. Prestigous? No. But undoubtedly compelling.

Read more…

Director: Faith Akin Starring: Diane Kruger, Denis Moschitto, Samia Chancrin Running Time: 106 minutes

In The Fade has a lot to offer its audience: a strong central performance from Diane Kruger, a moving story and compelling characters. Yet the film still lacks the power to stay with you once the credits roll. While easy to chew on throughout its reasonable runtime, director Faith Akin’s recent feature leaves you craving something a little more substantial.

The film, which won best foreign language feature at this year’s Golden Globes, tells the story of Katja (Diane Kruger), a German woman confronted with the tragic death of her husband and son following a terrorist attack. When suspects are discovered and brought to court, Katja battles with her need to exact revenge on the people who took her world from her. Should she leave the judicial system to their ways? Or, should she take matters into her own hands?

Read more…

Director: Craig Gillespie Starring: Margot Robbie, Sebastian Stan, Allison Janney, Paul Walter Hauser Running Time: 120 minutes

At the inaugural turn of the 24-hour news cycle, around-the-clock coverage meant that more people had access to stories from across the globe. By the early 90s before white broncos sped down Los Angeles highways or actors were caught in suspicious alleys, one particular celebrity scandal in the US crossed the pond to make international headlines; the feud between olympic figure skaters Nancy Kerrigan and Tonya Harding.

As a result of constant media coverage, Harding’s story was elevated from local crime to worldwide scandal overnight, as people lined up to watch the downfall of this notable figure and Olympic hopeful. Now, years later, director Craig Gillespie and star/producer Margot Robbie have joined forces to bring us I, Tonya, a black comedy based on the shocking and wildly contradictory first-hand accounts of all those involved.

Read more…

Director: Paul Thomas Anderson Starring: Daniel Day-Lewis, Vicky Krieps, Lesley Manville Running Time: 130 minutes


Throughout his long and acclaimed career, Daniel Day-Lewis has embodied personalities that burst forth from the screen, simply too powerful, or imposing, or strong of will to be restrained by mere celluloid and silver. From Christy Brown to Daniel Plainview to Abraham-by-God-Lincoln, DDL has method acted his way through dominating characters, willing audiences into awe, the most impressive man in the room when he isn’t really in it. In his supposed last performance, as the wonderfully and ludicrously named Reynolds Woodcock, DDL applies that same level of performance and applies it to a fussy dressmaker in the immaculate fashion scene of 1950s London. Working once again with Paul Thomas Anderson, the pair have taken what may seem at first glance to be an understated love story and intricately sown some of their best work just underneath the surface, a beautiful piece of work with as many hidden thrills as anything their fascinating main character himself might design.

Read more…