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Since graduating from the MET Film School in 2015, Megan K. Fox has been a prolific figure on the directing scene in Ireland. She has picked up awards and accolades for her short films Slow Down (2015), GIRL (2016), Calling Home (2017) and The Shift (2018), with another set for release this year in Cailín Álainn, a bilingual coming-of-age film about a transgender teen, which secured the inaugural Kerry Film Bursary and was shot this year 2019. Since being selected for selected for the RTÉ/Screen Skills Ireland’s New Directors Multi-Camera Training programme for continuing drama, Megan has been working with RTÉ, including earning her first TV credit this year for directing on Fair CityThe Shift, a comedy about young Denise (Fiona Bergin) desperate to get the shift at a Gaeltacht disco, has had continued success at festivals in Ireland and abroad since its release, most recently picking up the ‘little iffy’ award for best short at the July edition of the iffy Short Film Festival.  Film In Dublin caught up with Megan to talk about that success, film festivals, and working with other creatives, including the next generation of aspiring Irish directors.

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On Saturday 29th June, pianist Máire Carroll will be bringing her piano along to the Light House Cinema for a one night only musical event, “Reimagining the Movies“. An extensive performer worldwide and a winner of  numerous awards including the 2018 RDS Collins Memorial Prize, 2015 Tilestyle Artist Bursary and the 2012 RDS Music Bursary, Carroll will be performing some of her iconic film scores by some of cinema’s most loved composers alongside a number of guests, along with the premiere of her latest composition specially composed for the evening.

Ahead of her performance on Saturday, Film In Dublin spoke with the musician about the power of music on screen, her work and influences and more.

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Ahead of the release of Irish horror The Hole in the Ground, Film In Dublin caught up with director Lee Cronin and star Séana Kerslake to chat about filming in the forest, working with young actor James Quinn Markey and more.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.

Hazardous Materials is a short film that looks at anxiety completely visually, without spoken dialogue, in an effort to convey something of the main character’s perspective on the world. Nora has trouble talking to anyone, and is scraping by day to day avoiding contact with people, while Rachel, a well meaning co-worker, wants to bring her out of her shell. When Rachel invites Nora to a house party – how will Nora react? The short has had considerable success at screenings so far, including a UK Premiere for World Mental Health Day and showings at 5 festivals/competitions to date.

Galway-based director Brian O’Brien has directed a number of shorts, but Hazardous Materials marks an impressive step forward for the developing director. Film In Dublin spoke to Brian for the direct line on his work.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.


Short film The Observer Effect is a dark thriller with vivid imagery, telling the story of a man and a woman with a mysterious connection whose paths, when crossed, are destined to lead to a violent end. An impressive debut from director Garret Walsh, with an immersive feeling of dread and remarkable production design, the short has had considerable success on the film festival circuit, showing at the likes of the Richard Harris International Film Festival, the Silk Road Film Festival and more, picking up award nominations and wins along the way.

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Kate Dolan is one of the fastest rising directors working in Ireland at the moment. The last year in particular has seen Kate’s 2017 horror short Catcalls feature at numerous festivals both at Ireland and abroad, including Women in Horror Month, Fantasia, GAZE, Frightfest and more. Kate has also contributed to the rising profile of Irish bands like Bitch Falcon and Pillow Queens through her music video, and is one of the filmmakers chosen by Screen Ireland to take part in their inaugural POV scheme, supporting the development and production of low-budget live action feature films from female Writers and Directors. Kate took a break from writing to talk with Film In Dublin, looking back at the last year and her work, and looking ahead at what’s to come.

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Blogger, podcaster, author, Darren Mooney is one of the hardest working names in the Irish critical community. A long-time writer on award-winning the m0vie blog, his one-stop shop for all things pop culture, Darren also contributes regularly to the Irish film monthly magazine CinÉireann and curates both the Scannain podcast and The 250, where he and Andrew Quinn look at IMDB’s list of the top 250 films of all time. (Full Disclosure: This writer has appeared on both podcasts.) Darren has recently published his latest book, Christopher Nolan – A Critical Study of the Films, a history covers Nolan’s complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur. Film In Dublin caught up with Darren to talk about his movie memories, influences as a writer, and experiences in the toxic waters of online backlashes.

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DUST is a short film by Nigel Mulligan, a first-time director inspired by such film makers such as David Lynch, Terence Malick, Danny Boyle & Lars Von Triers. Scripted as well as directed by Mulligan, DUST aims to explore themes of addiction and psychosis, themes that are close to the director’s heart due to his work as a psychotherapist in the homeless sector.

Starring Jamie Doyle and Sorcha Fahy, the short blurs the lines between reality and hallucination as philosophical lead character Cassie explores a romance with stable Art, but struggles with new drug 2CB and its effect on her grip on reality.

Film In Dublin spoke with Mulligan about his film, as he aims to screen it at upcoming festivals.

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Next week, Irish indie film For Molly comes to select screens across the country, including in Movies@Swords, Movies@Dundrum and Omniplex Rathmines in Dublin. Directed by Cathal Kenna (Coming Home), For Molly tells the story of a young Irish couple ‘Evan and Laura’, engaged to be married and preparing for the arrival of their first child ‘Molly’ when a shock cancer diagnosis arrives out of the blue to Evan. Uncertain about the future Evan starts recording a series of home movie messages for Molly in an attempt to offer some helpful fatherly advice and a document of who he is for Molly when she is older. The home movie recordings unintentionally end up capturing the emotional rollercoaster Evan and Laura go through as they come to terms with their predicament and events build towards a climax.

The writer of For Molly as well as the film’s lead Evan, Kieran O’Reilly arrived onto the acting scene in 2013 with a critically acclaimed performance in Ireland’s television crime drama, Love/Hate (2010). He was nominated for the ‘Discovery Award’ at the Dublin International Film Festival 2016 and is also known for Vikings (2013) and is the singer/songwriter of the Irish alternative band, Hail The Ghost. Playing Evan’s partner Laura, Maura Foley is known for her work on P.S. I Love You (2007), Truth (2013), Love/Hate (2013), Cardboard Gangsters (2016), Storage (2016) and Acceptable Risk (2017). She currently voices the lead character in award winning children’s animation show Brain Freeze for the BBC. In addition to editing, Dave Thorpe has credits as a director and writer across numerous Irish productions.

We recently chatted with Kieran, Maura and Dave about For Molly, taking on new creative roles, and a possible alternative title for their film.

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One of Ireland’s biggest film festivals every year, the Galway Film Fleadh begins next Tuesday 10th July, kicking off a week of fantastic films from at home and abroad. And though it doesn’t happen here in Dublin, we eagerly anticipate many of the festival’s films, not least of which includes Mother, the 2017 Galway Film Centre/RTÉ Short Film Commission. The short, starring The Young Offenders’ Hilary Rose and Lochlann O’Mearáin of Ros na Rú, developed from a script by Jonathan Hughes, directed by Natasha Waugh and produced by Sharon Cronin, has an eye-catching premise. It tells the story of Grace, a mother with an ideal happy family; a loving husband and two wonderful children. But when her husband arrives home one day with a brand new kitchen appliance, she slowly starts to realize that there might not be room for both of them at home. It’s a quirky comedy light on dialogue, with an intriguing dark streak. The project received just under €15,000 in funding as part of the commission, as well as the contribution’s of Script Editor Deirdre Roycroft and director Deabhla Walsh (Penny Dreadful, Fargo, The Punisher, Emmy Award winner for Outstanding Directing for a Miniseries, Movie or Dramatic Special, Little Dorrit) as mentors on the scheme. The short will premiere at the Fleadh next week, and ahead of the Mother‘s big day, we caught up with Natasha Waugh to discuss the production, the mentoring aspect of the GFC/RTE programme, and working with a very unique performer…

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