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Director: Christopher McQuarrie Starring: Tom Cruise, Henry Cavill, Rebecca Ferguson, Ving Rhames, Simon Pegg, Sean Harris, Vanessa Kirby, Angela Bassett, Alec Baldwin Running Time: 147 minutes


A preface: When Tom Cruise found out that a member of the Spielberg family was seeing a psychiatrist, he had faithful Scientologist acolytes, who hate psychiatry, picket the doctor at their home. Scientologists assigned the actress (and member) Nazanin Boniadi to be Cruise’s new girlfriend post Penelope Cruz, pre-Katie Holmes, dumped her for a perceived sleight to Scientology honcho David Miscavige and when Boniadi expressed her disappointment, the church punished her with months of menial labour, digging ditches and cleaning toilets with a toothbrush. He publicly criticised Brooke Shields for using anti-depressants when she had post-partum depression. He had Nicole Kidman’s phone tapped, and after divorcing Kidman (whom Scientology never approved of because her father was a well-known psychologist back in Australia), Cruise turned their two children against her with the help of the church, to the point that they now call her a ‘Suppressive Person’ and Kidman doesn’t count the two when thanking her children in speeches…it’s just worth keeping in mind sometimes that Cruise is a highly-wound maniac in deep with a cult that manipulates and abuses members and neglects children, before launching into effuse praise of his work. It might well be the intense ethic that Scientology has developed in Cruise, or his eagerness to have people forget his off-putting mid-00s energy, that sees him so heavily devoted to making the Mission: Impossible series go from strength-to-stength as one of Hollywood’s most innovative action franchise. The latest installment Fallout, breaks new ground for the series, pushing it to the most berserk heights yet. Really berserk.

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Director: Andrew Haigh Starring: Charlie Plummer, Steve Buscemi, Travis Fimmel, Chloë Sevigny, Steve Zahn Runtime: 121 Minutes

Lean On Pete is one of those rare films that values authenticity over sentimentality. No Hollywood sheen tints the lens. No overstated points on rural America’s current economic climate are made. No faux sense of understanding for the countryside’s cuts and bruises is offered up. Instead, Lean On Pete uses an understated approach, opting for honest storytelling over cheap mawkishness. The characters that occupy this land and the stories they tell are important to the filmmakers, yet nothing is ever overly dramatic or artificial.

It is here that we are introduced to Charley Thompson (Plummer); a young boy who traverses the blistering Oregon deserts to find his last known relative living thousands of miles away. Accompanying Charley on his journey is Lean On Pete, a failing racehorse who Charley forms a great bond with after securing a summer job in a local stables. Although it seems like a simple story on the outside, Lean On Pete is told with wonderful tenderness, compassion and sincerity, making for one of the most devastatingly beautiful movies of 2018.

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Established in 1999 by Tomm Moore, Nora Twomey and Paul Young, Kilkenny-based studio Cartoon Saloon has released exactly 3 feature length films. All 3 have received Oscar nominations for Best Animated Feature Film.

If you get the chance to see The Breadwinner, a poignant and uplifting exploration of a young girl’s life growing up under the Taliban in Afghanistan, you’re likely to understand why.

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Director: David Freyne Starring: Ellen Page, Sam Keeley, Tom Vaughan-Lawlor Running Time: 96 minutes

The Cured picks up where most zombie movies end. Society has reintroduced some degree of normality. Hordes of ravenous undead have stopped terrorising the streets. People are beginning to feel safe in their own homes again. However, as communities begin rebuilding themselves, once infected citizens, now cured of their insatiable appetites, are re-introduced back onto the streets, much to the outrage and disdain of the masses. It is in this setting – the aftermath of the bloodshed – that The Cured chooses to tell its story, a story less concerned with jumping out from behind corners to scare you than it is with burrowing deep within your conscious and challenging you.

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Director: Lance Daly Starring: Hugo Weaving, James Frecheville, Stephen Rea, Freddy Fox, Barry Keoghan, Moe Dunford, Jim Broadbent Running Time: 96 minutes


For an event that had such a profound impact on the course of Irish history, the great tragedy and injustice from which Ireland’s entire subsequent history as a nation sprang forth from, it’s surprising that the Famine hasn’t found its story told on cinema screens, particularly Irish ones, more often. Director Lance Daly takes that task on in Black 47, last week’s Opening Gala of the 2018 Dublin International Film Festival. His approach is perhaps unexpected considering the subject matter, the film being a roaring rampage of revenge, internalising the anger and injustice of the Famine into one man’s quest for vengeance. Prestigous? No. But undoubtedly compelling.

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Director: Faith Akin Starring: Diane Kruger, Denis Moschitto, Samia Chancrin Running Time: 106 minutes

In The Fade has a lot to offer its audience: a strong central performance from Diane Kruger, a moving story and compelling characters. Yet the film still lacks the power to stay with you once the credits roll. While easy to chew on throughout its reasonable runtime, director Faith Akin’s recent feature leaves you craving something a little more substantial.

The film, which won best foreign language feature at this year’s Golden Globes, tells the story of Katja (Diane Kruger), a German woman confronted with the tragic death of her husband and son following a terrorist attack. When suspects are discovered and brought to court, Katja battles with her need to exact revenge on the people who took her world from her. Should she leave the judicial system to their ways? Or, should she take matters into her own hands?

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The 2018 Audi Dublin International Film Festival kicks off tomorrow evening, and among the many high-profile films on shows, the premieres and the long-awaited international success stories are a number of exciting programmes celebrating both the storied past and the exciting future of film. One example of the former will be taking place at the Irish Film Institute this February, showcasing the work of a man who might be Ireland’s most successful and influential export to Hollywood. Even if he’s a name you might not have heard of.

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Our Countdown to this year’s Audi Dublin International Film Festival continues today, as we look at Careers in Film Day. One of several insightful events taking place during the festival, Careers in Film Day offers the opportunity for young people to learn from industry professionals about what it takes to forge out a career in film.

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We’re less than a week away from this year’s Audi Dublin International Film Festival and the anticipation is building quickly in the fair city of film. As the festival approaches, every day Film In Dublin will be counting down by highlighting one of the fascinating, fun and can’t miss events taking place during ADIFF 2018. Today, we highlight a public interview taking place on Saturday 3rd March with award-winning costume designer, Sandy Powell. Throughout a successful career in cinema, Powell has worked frequently with renowned directors including Martin Scorsese, Todd Haynes and Ireland’s own Neil Jordan. A twelve-time Oscar nominee, Powell has won the award on three occasions; for Shakespeare in Love, The Aviator and The Young Victoria.

 

Powell will be on hand during the festival to discuss her career, and with two films that that she has worked on featuring during ADIFF in Todd Haynes’ latest Wonderstruck the sci-fi rom-com How to Talk to Girls at Parties, there is sure to be a lot insight for ADIFF attendees. The host of the evening Eimer Ní Mhaoldomhnaigh is a considerable talent in costume design herself, with credits including Love and FriendshipThe Wind that Shakes the Barley and more.

http://www.bfi.org.uk/news-opinion/news-bfi/features/exclusive-costume-designs-carolhttp://www.bfi.org.uk/news-opinion/news-bfi/features/exclusive-costume-designs-carol

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