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Have you got an itch for art and a taste for horror? Ever dreamed of turning yourself into a zombie? Kids aged nine and up will have the chance to learn how to transform into a spooky zombie as part of the fun of this year’s Audi Dublin International Film Festival.

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Director: Joe Wright Starring: Gary Oldman, Kristen Scott Thomas, Lily James, Ben Mendelsohn, Stephen Dillane Running Time: 125 minutes


When the Bard gets boring, it’s increasingly appealing to distinguished actors to turn to Winston Churchill for their monologue jollies; “we shall fight them on the beaches” being as suitable for performance as anything Shakespeare ever did. Through various films, such noteworthy performers as Albert Finney, our own Brendan Gleeson, Brian Cox last year and um…Christian Slater, have donned the bowler hat, stuck up a V-sign and gotten down to speechifying, and now Gary Oldman picks up that mantle. Unrecognisable in impressive make up, Oldman’s turn in Darkest Hour is being put forth as a showcase for the veteran, a big Oscar-grabbing performance in a film that looks, as many do, back at Britain’s ‘darkest hour’ also in some ways as its finest. Let’s not forget, there was literally a film about this exact same time-period titled Their Finest released just last year. Rarely, if ever, do films of this type want to engage with Churchill the racist, the Churchill that sent soldiers into Tonypandy or helped starve India, or set up the Black and Tans and Darkest Hour is no exception, an effort to rouse and court applause and though it’s definitely well-made enough to receive that in some quarters, the film and Oldman’s central performance are both at their best when they tone down the bombast and openly admit just how close Britain came to ruin.

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Director: Steven Spielberg Starring: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk Runtime: 116 minutes

Steven Spielberg’s name has long been synonymous with the Great Hollywood Blockbuster. When we hear the name Spielberg, we imagine runaway boulders, we feel the ground quiver under the weight of reptilian feet, we choke on seawater. Hearing that Spielberg was tackling a historical docudrama about a newspaper was a little surprising. But rest assured, The Post is not overwrought history reeled out to humour a director’s quirk. The Post documents a defining moment for the Washington Post newspaper, with deep resonance in the current political climate.

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In Direct Line, Film In Dublin cuts to the chase, asking 20 questions of Ireland’s directors to get a brief look into their outlooks, influences and inspirations.


Ross McDonnell is both a photographer and filmmaker, with credits in photography, cinematography and directing on several documentary films. Born in Dublin, Ireland in 1979. As a photographer, his work has been published in The New York Times, Art in America, The Observer, The Washington Post, The Irish Times, Fader magazine and more. A twp-time nominee for Irish Film and Television Awards, his films have screened at festivals around the world, including last year’s Elián, an official selection at the Tribeca Film Festival. A frequent collaborator with Alex Gibney, McDonnell worked on the director’s most recent film, No Stone Unturned – a documentary about a flare up of the violence of the Troubles in Co. Down in 1994, released last November.

 

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The Irish Film and Television Academy commenced its 15th anniversary year today with the announcement of their line-up of nominations for the 2018 IFTA Awards.

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With a seemingly endless supply of big budget blockbusters, superhero flicks and glamorous award contenders on our screens, it can be hard to find the time for smaller, independent movies. Despite our endeavour to deliver you all things film, even we here at Film in Dublin have had some remarkable films fly under our radar throughout the past year. With this in mind, we have spent the holiday season looking back on this year’s greatest and most under-appreciated movies in an effort to prepare you for your annual office Oscar party. Now you can have bragging rights over the most obscure and brilliant films that your colleagues and friends may have missed in 2017!

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It has been a year. In 2017 there was a lot for film fans to contemplate, but in what they say on the screen and in the wider film business. Month after month, entertaining, challenging and interesting films found their way onto Irish screens, either from Hollywood or any number of our own talented Irish directors. It was a year where the sickeningly pervasive culture of abuse in cinema was thrust into the headlines by brave survivors no longer willing to suffer in silence. It was also a year in great filmmaking, where talented, diverse directors were given the opportunity to show their talent, several for the first time, where performances transported us just as believably to the far-off future, the underprivileged, overlooked present and even outside the fluid realm of time altogether. This is Film In Dublin’s list of the best films of 2017, the films that moved us, entertained us, opened our eyes and otherwise expressed everything that cinema is meant to be, in a year that showed that cinema doesn’t always achieve those lofty ideals behind the scenes.

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