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Director: J. A. Bayona Starring: Bryce Dallas Howard, Chris Pratt, Isabella Sermon Running Time: 128 minutes

The central conflict of Jurassic World: Fallen Kingdom isn’t about dinosaurs, it’s not even about being pro-dino rights or pro-bioweapons. The central conflict is the friction caused by J. A. Bayona’s directing style bumping against the constraints of this franchise, like a T-rex testing an electric fence who can’t help getting burnt.

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It’s a summer of 70mm at the Irish Film Institute, as they announced yesterday afternoon a trio of classics to be shown on film over the next three months. Beloved hits all, tickets for these 70mm films are sure to sell out fast. Screenings of films in this classic format have traditionally been a hit with the IFI crowd and following on from last year’s successful showings of films old and new like Lawrence of Arabia and Dunkirk, this format returns for a season in the sun.

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A psychosexual season of cinema begins at the Irish Film Institute this evening titled ‘Killer Couples’. Classic films from across the history of the medium that mix love and criminality will screen at the IFI throughout June.

Mixing salacious genre-films with more fact-based stories, ‘Killer Couples’ has been curated to explore films featuring couples complicit together in the act of murder. From gold-standard noir like Double Indemnity to the subservice teen film Heathers (currently being controversially, wrong-headily reimagined), to films inspired by real-life cases such as Richard Flesicher’s Compulsion, IFI are aiming not to glamorise the connection, but rather to provide a snapshot view of the artist and the audience’s fascination with sex and death, and the connection between the two. The nine film collection includes a wide-range of creative talents, with the words of Dalton Trumbo and Quentin Tarantino, the cameras of Sam Peckinpah, Billy Wilder and Peter Jackson and much more on offer from an intriguing mix of noir.

Check out the full selection of films below. Tickets are available now from the IFI. (Film descriptions below are from the IFI)

Double Indemnity – Wednesday 6th June 2018, 6.20pm

Double Indemnity is considered to have set the template for film noir. Based on a novella by James M. Cain, whose work would also provide the source material for films such as Mildred Pierce (Michael Curtiz, 1945) and The Postman Always Rings Twice (Tay Garnett, 1946), it is the story of insurance salesman Walter Neff (Fred MacMurray), who begins an affair with Phyllis Dietrichson (Barbara Stanwyck), the wife of one of his clients. When her questions lead him to believe that she is considering murdering her husband, he resists at first before becoming a willing collaborator, leading to a maze of complications and double-crosses in this hardboiled classic.

 

Compulsion – Sunday 10th June 2018, 3.45pm

Richard Fleischer made a number of films throughout his career that focused on real life killers, including The Boston Strangler(1968) and 10 Rillington Place (1971). Compulsion is based on the infamous 1924 Leopold and Loeb case that also provided the inspiration Alfred Hitchcock’s Rope (1948) and Tom Kalin’s Swoon(1992).

Here, close friends Judd Steiner (Dean Stockwell) and Artie Strauss (Bradford Dillman) are the egotistical pair who murder a boy simply for the thrill, convinced that their preparations and intellectual superiority will obviate all consequences. When this assumption proves incorrect, their case is taken by famed attorney Jonathan Wilk (Orson Welles, in a part based on Clarence Darrow).

 

The Getaway – Wednesday 13th June 2018, 6.20pm

Jim Thompson’s crime fiction has been adapted by directors such as James Foley (After Dark, My Sweet, 1990), Stephen Frears (The Grifters, 1990), and Michael Winterbottom (The Killer Inside Me, 2010), while Thompson also co-wrote the screenplay for Stanley Kubrick’s The Killing (1956).

Sam Peckinpah’s take on his work stars Steve McQueen as ‘Doc’ McCoy, inmate of a Texas prison, who persuades his wife Carol (Ali McGraw) to use her wiles on a corrupt and influential businessman in order to secure his release. In return, Doc is forced to participate in a bank robbery that quickly goes wrong, forcing the troubled couple on the run in an entertaining thriller replete with Peckinpah’s trademark balletic violence.

 

Lift to the Scaffold – Sunday 17th June 2018, 3.30pm

Louis Malle’s debut feature gave the conventions of film noir a Gallic twist, incorporating stylistic elements such as photography and lighting that would soon become familiar to viewers as characteristic of the Nouvelle Vague, set to a score by the legendary Miles Davis. Florence (Jeanne Moreau) and Julien (Maurice Ronet) are lovers intent on killing her husband, who is also his boss. Immediately after the deed, Julien is trapped between floors in a lift.

Meanwhile, his car and identity are stolen by Louis (Georges Poujouly) and Véronique (Yori Bertin), a young couple whose own night is about to take a murderous turn, complicating matters for both lethal pairs.

 

Pretty Poison – Wednesday 20th June 2018, 6.30pm

The first film from director Noel Black is a jet-black comedy stars Anthony Perkins as Dennis Pitt, recently released from a mental institution. A compulsive fantasist, Dennis finds an eager listener in teenager Sue Ann (Tuesday Weld), who is entranced by his tales of life as a CIA operative.

When he brings her along on a supposed mission to foil a Communist plot, the truth of what lies behind Sue Ann’s innocent face is revealed when she murders a security guard without hesitation. As the body count grows, Dennis is reduced to the status of horrified bystander, subject to her manipulation and cold-blooded nature.

 

The Honeymoon Killers – Saturday 23rd June 2018, 3.30pm

This is one of the great American crime movies and deserves better than its reputation as a minor cult classic. Ray (Tony Lo Bianco) is a swindler who uses the lonely hearts columns to prey on women by promising love and marriage.

Martha (Shirley Stoler) could have been one of Ray’s victims but instead becomes his lover and associate in crime. The couple prove to be a lethal combination when they operate as a brother-sister team, with Ray’s philandering and Martha’s jealousy leading to a string of gruesome murders. Director Leonard Kastle’s take on this material is fascinating and his treatment never less than inspired, resolutely refusing to glamourise either the killers or their victims.

 

Natural Born Killers – Sunday 24th June 2018, 3.30pm

Arguably the most infamous of films featuring killer couples, and one of the most controversial films ever made, Oliver Stone’s social and cultural satire has grown in power in the years since its release.

Mickey and Mallory Knox (Woody Harrelson and Juliette Lewis), who meet when Mickey saves her from her abusive home, embark on a killing spree given such coverage by the media that they become folk heroes before their capture. However, imprisonment proves a mere stepping stone to even greater mayhem. Stone’s film is a visceral experience, its frenetic style of shooting and editing perfectly in tune with an era of media saturation and questionable celebrity.

 

Gun Crazy – Thursday 28th June 2018, 6.30pm

With a screenplay by the then-blacklisted Dalton Trumbo, Gun Crazy features John Dall as Bart Tare, a young man who, despite his gentle nature, is fascinated by guns, spending some time in reform school as a teenager for the theft of one. Following a spell in the army, he meets and marries carnival sharpshooter Annie Laurie Starr (the late Irish actress Peggy Cummins).

However, Laurie’s life is one of crime, one in which she forces her husband to become complicit. Featuring a bravura one-take sequence of a bank heist, the film is something of a precursor to Arthur Penn’s Bonnie and Clyde (1967) in its audacious blending of violence and sexuality.

 

Heavenly Creatures – Saturday 30th June 2018, 6.20pm

Something of an anomaly in a career that began with splatter comedy such as Bad Taste (1987) before moving on to Tolkien adaptations, Peter Jackson’s stylish and compelling Heavenly Creatures, based on real events, stars Kate Winslet and Melanie Lynskey in their screen debuts as Juliet Hulme (now better known as author Anne Perry) and Pauline Parker.

In 1950s New Zealand, the two teenagers, both outsiders, form an obsessive bond, creating their own elaborate fantasy world, over which they rule. Suspecting a sexual undercurrent to their relationship, Pauline’s mother Honora (Sarah Peirse) tries to keep the two apart, unleashing a desperation in the girls that leads to her murder.

 

 This autumn, one of the most striking films to come out of this year’s Audi Dublin International Film Festival will become available to the wider viewing public of Ireland. A pulpy action thriller set during The Great Famine, we described the Opening Gala of ADIFF 2018 as  a film that “will inspire thoughtful debates and blood-lusting cheers in equal measure”. Lance Daly’s film is set to hit Irish cinemas on the 7th of September.

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After 30 weeks of tears both sad and joyful, through the seasons of Autumn, Winter, Spring, Summer and Awards, Call Me By Your Name will screen at the Light House Cinema for the final time this evening.

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Last year, the Light House Cinema offered a welcome alternative to the Dublin cultural touchstone that is Bloomsday in the form of Goldblumsday; a puntastic programme of films starring Jeff Goldblum. His upcoming return as D Ian Malcolm in Jurrassic World: Fallen Kingdom ensures that the Blumassaince is stronger than ever, but that won’t be your only opportunity to see the man on the big screen this summer.  This Saturday June 16th, Goldblumsday is back. Stay calm, don’t forget your mantra.

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Director: Thaddeus O’Sullivan Starring: Tom Vaughan-Lawlor Running Time: 81 minutes


In picking out names from late 19th-early 20th century Ireland, a time when as George Moore put it, “The sceptre of intelligence moved from London to Dublin”, art collector Hugh Lane may not be the first one that comes to mind. It may not come to mind at all if you’re not a major arts enthusiast. However, the innovative and very interesting Citizen Lane paints a vivid picture of the man as an enigmatic character from a period in Irish history packed full of fascinating figures. Look past the naff title, this unusual mix of documentary and narrative is likely to draw a high appraisal from those who view it.

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Director: Jason Reitman Starring: Charlize Theron, Mackenzie Davis, Ron Livingston, Mark Duplass Running Time: 96 minutes


When Diablo Cody is in a reflective mood, Jason Reitman tends to benefit. Though it will always be a divisive film based on its subject matter and the ‘hamburger phone’ of it all, Juno‘s rooting in the real life experiences of Cody as a teenager and the stories of adoptees and pregnant teens in her life gave it a laudable emotional honesty. The writer-director pair came back together for the underseen Young Adult, a darkly funny and deeply insightful look at arrested development, and the toll taken on the popular girl when she isn’t popular anymore, with a fantastic lead performance from Charlize Theron. Nearly seven years on, the now-trio have convened again for an honest look at parenthood in Tully. The result is raw, sly and very well done.

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Always an exciting part of the calendar in the fair city of film, the Korean Film Festival Ireland will be taking place in early June. Tickets are available now for this celebration of Korean cinema and culture.

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